Saatchi gallery’s main objective is to encourage the species of artist and fresh art. It is a horizon where artists and audience from different cultures and background interlace to exchange views and opinions pertaining to arts. To bring art lovers closer and involve in real-time conversation, Saatchi gallery launches the chat live programme. The features of this instant messaging are to bring the art lovers to a platform where they can discuss in a liberal manner the essential and trivial topics of art. Chat live helps art aficionados to exchange their ideas, knowledge and promote artists and their works. To derive this benefit you are requested to sign up following an easy going registration process. Chat live is a productive idea, for both artists and art lovers, because they can sell their work of art and also purchasing becomes easier. It also does good to work on collaborative purpose, expose new work of art to the world and motivate young artist to preserve the culture.

Live chat is a viable facility that let a person interact to another individual sitting offshore. It is also a vital tool to gain feedback from the audience that might enrich the artist knowledge or vice versa. This unique service is open even for galleries, press and museums. For more information just visit the website of Saatchi gallery. Chat live is a strong tool to keep well informed about the contemporary trends, ideas, of local and worldwide artists. This online instant messaging is a priceless mechanism to kindle the meaning of art among people and keep alive the spirit forever.

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Pure Luxury Transportation, an associate of the Green Ride Global program which was established in the early going of 2008 is on full speed to go beyond its greenhouse gas (GHG) lessening goals for the 2008 calendar year. Pure Luxury Transportation with their exceptional car parts has come up with exceptional results around company-wide GHG reductions in the first four months of its environmental programming since becoming a certified Green Ride Global associate. The company also went on board on an insistent environmental sustainability program to lessen the environmental trail of the entire features of their business.

"We are committed to reducing the environmental impact of our operations. Our entire staff has been diligent in participating in the reduction of our greenhouse gas output. As a result, I am pleased to announce that we have achieved a reduction of 3 metric tons or 16% per vehicle, compared to the same quarter last year. This is the equivalent of adding approximately 3 acres of forest in the San Francisco area," says Jennifer Buffo, Chief Operating Officer of Pure Luxury Transportation.

Furthermore, the program which was managed under the leadership of Green Ride Global is intended to cause a 20% decline in Pure Luxury's GHG emissions more than the next 5 to 10 years.

"Reductions in emissions correlate directly to lower operating costs, which will help offset the rising cost of fuel. We will continue to pass on these savings to our clients," says Buffo. "We are also able to pass on our GHG emissions reductions to our clients because we can provide reports tracking the emissions attributed to their trips."

"Pure Luxury is a model client of Green Ride Global. Their entire team is driven; focused, diligent and determined to do everything they can to reduce greenhouse gas emissions," says Justin Raymond, President and CEO of Green Ride Global who fervently praises Pure Luxury's success.

Pure Luxury was capable to accomplish these cutbacks without the existence of a single hybrid with green auto parts on its fleet which was even more impressive.

"In our opinion, a luxury ground transportation vehicle has not yet been made available with the current roster of hybrids on the market. As the livery industry waits for the next generation of hybrid vehicles to align with its luxury needs, we have demonstrated that a staff of conscientious employees and chauffeurs can make great strides toward environmental sustainability,” Buffalo added.

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Pop art started in the USA during the earlier period of the 1960's. But it was already making its presence felt in the late fifties. Pop art was basically an art movement which aimed to replace the abstract mode of artistic expression with messages that are easier to understand. The pioneers of this art movement were Robert Rauschenberg and Jasper Johns. The boom of this art movement or phenomenon mainly happened in New York City. The initiators of Pop art believed that the metaphysical complexities of abstract art are already out of tune as times and people had become different. As its followers believed in the power of easy to recognize images of common items, pop art introduced new objects such as flags, maps and targets or stuffed animals and rubber tires on paintings. Irony, sarcasm, and mockery were the favorite aspects of this art movement. Pop art in many ways was a form of rebellion to the dictates of traditional expressionism. According to pop art, confining ourselves to the old rules of the arts can make us stagnant as they fit only with the old era.

Some of the known advocates of this new artistic movement were Claes Oldenburg, James Rosenquist Andy Warhol and Roy Lichtenstein. They shocked the painting world with their works that courageously introduced pop culture symbols such as comic strips, advertisements, and media images. Pop art was not just a far cry from the traditional rules on visual expression. It was in itself a slap in the face to the dictates of abstract painting style. Because the public could easily relate to its features, pop art gained the appreciation and support of many art critic groups. But in spite of that traditional abstract expressionism continued to flourish as it is the respected root of classic art. As they say, nothing beats the original. As pop art maintained its mockery activities, it did not reduce the popularity of abstract expressionism.

As abstract expressionism prevailed, pop art also continued to make its presence felt. The rivalry between these two styles resulted in the establishment of two new schools of abstraction: minimalist art and color-field painting. Minimalist art reduced art to its bare elements in reaction to the flamboyance of abstract expressionism. Frequently criticized for being too unapproachable, minimalist art has also been celebrated for its unprecedented immediacy. It attains this immediacy through abstract form, absence of decorative detail, and emphasis on geometry. On the other hand, color-field artists moved toward a more impersonal and austerely intellectual aesthetic. In their works they dealt with what they considered to be the fundamental formal elements of abstract painting. These elements are pure, unmodulated areas of color, flat and two-dimensional space, monumental scale, and the varying shape of the canvas itself.

Pop art and abstract expressionism engaged in a somewhat bitter rivalry in the American sixties. These two artistic styles struggled to get hold of the public's support. While abstract expressionism tried to keep its old tradition and rules, pop art considered its rival an elitist approach that influenced America's consumer society.

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Captured Moments by the Square Inch
by Diana Avergon

Ever think about the last time you were photographed with your mom, took that “playing ball” picture of your black lab or got a close up shot of your newly reconditioned chrome green 1967 VW Bug? Does a special photo come to mind for its beauty,its content or its emotional impact? Would you like to “live into” this special photo and experience it as something that you love? Try painting it... by the square inch.

Here’s how it goes. Select a photo of which you have fond memories. Lay a clear plastic sheet protector over it and make a grid using a ruler and a permanent marker. How many squares are on your grid? Are there 32 or 36 or 40? Whatever the number is, now you will grid a large (12 x 18 “ or larger) sheet of drawing paper, using a ruler and pencil. Make the same number of squares on your drawing paper as you did on your clear grid. Now you can copy, by the square inch, each little square of the photo, by painting it onto the bigger corresponding square on the gridded paper.

Tape your gridded drawing paper onto a hard surface--cardboard or a drawing board.
Mix or select pre-mixed acrylic paints and keep them covered to keep them moist.

It might be helpful to start with the upper left hand square, and the corresponding square on the grid paper. Paint, on the corresponding square on the paper. what you see in the little square covering your photo. Sometimes it is something recognizable, sometimes not. At times, you might want to paint two or more squares at a time. Whatever you do, try to get in touch with the essence of the captured moment in the photo This is going to slow you way down, get you to investigate each corner, sequence and nuance of the photo. You will come to know each square inch.

Plan to spend a month or more--try to work a little each day. Stand back. How do you feel about your painting, the photo,your experience? Did you capture the moment?

The above project is one of many which appear in Packet for Painters, What’s Your Style?, copyright 2007, NASCO. www.eNasco.com/artsandcrafts

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People often refer to “the classic rules of photography”: “This photo follows the classic rules...” or “he/she broke all the classic rules...” etc. But what are those “classic rules” anyway? I gave it some thought and came up with the following five rules, all longstanding and time-honoured, like you would expect when something is called classic. But nothing is set in cement and rules such as these have been violated with superb results over and over again. But they are also there for a reason, since they probably represent something that most people mostly find pleasing most of the times. Not everybody all the time. So what are they, these classic rules of photography:

Rule #1 : F/8 And Be There!

This is rule number one and it has little to do with your camera and technical proficiency, as is the case with the other four rules. Read this rule again, breath it and live it. As simple as it sounds, it is the most important of all rules in photography.

The part about f/8 refers to a camera setting, or rather a lens aperture setting. It’s a technical detail and it’s not really important. But at the same time it’s what makes this rule so memorable.

It’s not a bad advice using f/8, it’s a pretty standard value and often safe to use if you want to be sure to get your subject in focus without giving it much thought.

But it’s true value is that it boils all the complicated art and tech issues down to that simple 1-letter-1-number statement, f/8 (simply read f eight), the hidden message being: Forget the technical aspects, concentrate on the subject. Simple and brilliant.

In my experience it’s mostly used in the context of spot news photography, where it’s certainly important to be on the spot when something happens. But I wouldn’t forget about it in the context of normal peoples lives, peaceful landscape photos and even photos for the family album. Whatever photo you want to capture, you have to be there first. You have to get up and go out, walk that extra mile, lose that hour of sleep, do whatever it takes for you to get there with your camera.

A talented, but lazy photographer is not necessarily as successful as a very active, less talented one. Because you have to be there.

Rule #2 : The Decisive Moment

A term coined by photography legend Henri Cartier-Bresson. Sort of a time-version of rule number 1. Together we could call these two rules: “Being in the right place at the right time”.

But there’s more to this rule than just being there at the right time. You have to press the shutter button at exactly the decisive moment, when all the elements of the photo (perhaps including the photographer himself) suddenly come together in a fraction of a second. A blink of an eye and it’s gone again. The man jumping over the puddle has touched down again, the guy in the background has turned his head away from the kissing couple and the dying soldier has fallen flat to the ground.

It happens so fast that it’s hard for us to see and react to before it’s over. But that is one of the big charms of photography. It can capture these fleeing moments and make them last forever -- on print. For Cartier-Bresson it was an intuitive thing. “Think before and after you take a photograph, not while you are doing it.”

Sports photography arguably has a lot of decisive moments, but in my book they don’t really count, since it’s just a game and not truly a slice of reality. I know Cartier-Bresson in his book set off with quoting someone “there’s nothing in the world that doesn’t have a decisive moment”, but I don’t want to get into the discussion here. Many people who are more sports enthusiastic than me would probably disagree with me, but I do think that there’s more real decisive moments to be had on the stadium seating than on the pitch.

Rule #3 : Go Close

-- And when you’ve done that, go even closer! Coined by another photography legend, Robert Capa, who died following this rule, camera in his hand, as he stepped on a landmine in the French-Indochinese war. But not all situations of course are life-and-death situations. So use it whenever you reasonably can, and your photos will in many cases have a stronger appeal and give a more intimate connection between the subject and the viewer.

Again, it’s not just for spot news photography. If you are portraying normal life, it is equally important to get close to people. Get into their homes and into their private lives where they are themselves. Do it in a way that isn’t prying and offensive. It will give you an honest and intimate view of life.

This rule usually implies using a wide-angle lens, which tends to give a more “open” perspective. Much good can also be said about the long tele-photo lenses as well, and they have their place. Especially in fields like wildlife and sports photography, where it is often impossible to be up close to the action.

Rule #4 : The Rule Of Thirds

This is one of these rules that are great to follow and equally great to break. But photography would be a lesser thing without it. Briefly stated, it tells you to place you main subject, not in the center of the frame, but a little to the left or right side, a third into the frame. And also to place any dominating horizontal lines in your photo, like for instance the horizon, a third into the frame from the top or bottom. Just not in the center.

This will arguably give your photo a more appealing look, pleasing to the eye by leaving a significant space on one side of the subject for the surroundings. The rule, also known as the divine proportion and the golden mean, have been used by painters for thousands of years. Having survived that long, there’s got to be something about it!

Rule #5 : Use The Light

The magic hours, the hour around sunrise and the hour around sunset have a particular pleasing, soft light that works particular well for landscape and outdoor photography. It’s always the light that creates the photograph. For indoor and portrait photography, use a barn door or, if you don’t live on a farm, a big window without direct sunlight will also do. Place your subject close to the window and you will get a nice, soft light from different angles falling onto your subject. You can get the whole studio lighting set-up as well if you prefer not to rely on the constantly changing natural light.

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Are you an amateur photographer and keen on knowing the secret of capturing flawless pictures like a professional photographer?

If you are passionate about photography and enthusiastic about using your digital camera with optimum effect, then read on. In this age of cutting-edge technology, digital cameras have gained an exceptional foothold in the international gadget market.

Today, we can find digital cameras almost in every hand. However, it is not a digital camera that necessarily ensures a brilliant photograph. The person who operates the digital camera is largely responsible for the outcome. Whether you are a newbie or a seasoned photographer, the following tips can help you improve your photography skills on a digital camera.

There are primarily two important aspects to taking good photographs with a digital camera such as proper exposure and sharp focus, although both of them are closely related to each other. Hence, most of the modern digital cameras have the automatic feature to facilitate a good photography output. However, sometimes the auto exposure technology fails to read the scene correctly leading to wrong exposure and bad photograph. Therefore, it is important for you to learn how to use the exposure compensation feature of digital cameras.

The shutter speed of your digital camera greatly affects its output. Shutter speed of a digital camera essentially means how long the shutter stays open which is usually expressed in fraction of a second such as 1/30th or 1/400th. Typically, the slower the shutter speed, the higher the chances of the picture becoming blurred.

So, if you have set your digital camera in the automatic mode, make sure the shutter speed is 1/125th. This is because it`s tough to expect a good picture with slower shutter speed. Conversely, if you want to take photograph of a moving object, the shutter speed of your digital camera needs to be set at 1/400th to nullify the motion. Besides, if the automatic mode of your digital camera doesn`t show a shutter speed which is quick enough, you should switch it to shutter priority to manual.

There is another critical aspect to taking good pictures with you digital camera, i.e., aperture setting. Explained in a layman term, it basically means how wide the shutter opens when you take a photograph. There is a trade-off between shutter speed and aperture setting of a digital camera.

For instance, if you increase the shutter speed to get avoid the blurring effect in your pictures, the shutter should open wide enough to allow enough light. This could considerably affect the results. Hence, if you want to maximize the depth of the field, take the pictures with a slower shutter speed. If your purpose is to shoot objects that are not moving, you should set a small aperture. Incase, you are shooting a moving object, choose higher speed.

If you are wondering what the secret behind some professional nature and landscape photographs is, then you will be surprised to know that they are taken on a tripod to minimize the camera movements. Shooting under inadequate light condition requires slow shutter speed and use of a tripod. Also you can use a tripod with a small aperture and slow shutter speed to shoot better photographs on a sunny day.

Another secret to capturing magical photographs with you digital cameras lies in following your object. Try planting your feet firmly and bracing your arms strongly against your sides. Then follow the moving object by slowly turning your body. This can dramatically improve the performance of the pictures although the background might get a bit blurred.

Capturing good photographs with your digital camera requires experience and creative imagination. However you should learn the tricks of using all the features of your digital camera to produce astonishing pictures. After all, a digital camera is only as good as the pictures that you capture. Hence, know your camera inside out.

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As we all know that no one is born a talented artist. Even many of the famous artists have acquired their skills with the brush and perfected it for so many years to reach the peak of success. If anyone get inspire to create a beautiful painting on a white canvas, it means its an addictive hobby, and then suddenly that inspiration start getting converted into shape, figure, emotion, expression in numerous colors.

To know more about art one needs to understand ART first. What is art? In simple words art is the use of skill and imagination for the works of art. Art can be a basic form of communication. Just as a dancer sways to a rhythm or beat, an artist picks his brush to color an unfruitful white canvas to make it fruitful.

We all know that we have a budding artist within us. We never try to explore it; we hide our skills, never give chance to give it a platform. Art is really so simple that it does not require any specific qualification, any fixed age or any

privilege skill to start with.

All what we need is the time and our own ability to nurture it. One can start learning art at any time. Art can be a good exercise to relax our selves. Art is the way from which we expressed our feelings, ideas, skills, imaginations, and oncepts on a peace of canvas.

Art have so many forms like drawing, sketching, painting, scribbling etc. Many talented people take their art form to another aspect and create unique paintings.

Now learning about Art is extremely easy. Slowly developed it as a hobby, art can easily become a profession. By reading this you may arise with a question??Question is …….

Can Anyone Become An Artist?

Yes, according to me anyone can become an artist. What we need is the proper medium which can help us to create works of art, the right use of pencil, pastels, watercolors, charcoals, oil paints and acrylics. Select the subject, any subject that give pleasure to your eye is just right for your painting. It could be a nature, scenery, photograph, animal, any other painting, just about anything, which pleases your creativity in first attempt.

This is your chance to explore yourself, make a space in the world of art, and bring out your true spirits for art.

How to start with?

1. You can join any art classes, any short term courses in university near by you or join any painting workshop.

2. Chose a subject that inspires you to create a beautiful painting.

3. Don’t get disappointed even if you are not able to do the painting as per the subject, but try to make it.

4. See the subject from all the angles, Just don’t sketch out everything that has to be painted.

5. For the first attempt you may feel little bit bore, but slowly you will get into it and you will gain interest.

6. while drawing keep your mind open, will help to learn so many new things

7. In painting you can use your imaginative colors. For example grass is green but it could be red or yellow too. Sky is blue but it could be orange, grey, or any other color.

8. Painting will give you the excitement but it is not always possible that you will complete the work within a day.

9. May be you would jump on another subject, simultaneously in the meanwhile.

10. Keep good focused on the painting, anytime you may feel that your interest is fading at that moment leave it for sometime.

11. As such there is no deadline to finish a painting. It is not a job which should get completed in between nine to five.

12. Use eyes and hands to draw. Do not go by the mental image that forms in the mind. You will never get it exactly the finish.

13. Try to be keep teacher around you to help in areas where you are likely to be stuck.

14. It is not necessary that everything will go right at the first time. Sometimes you may waste time and some art material but then you will learn more and generate more good art pieces.

15. Painting is always learnt through trail and error

16. So don’t give up yet if it has not worked out. There is always a new subject to work on.

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Painting is an aesthetic representation of the imaginative mindset of a painter. This form of art exerted tremendous influence on the society since its inception several thousand years ago. Painters are like alchemists who can make formidable creations intermingling colors on a piece of canvas.

It is through painting artists of all ages portray the conditions of the mainstream society, the various ethos, culture and traditions. A work of painting can best reveal the good and evil of the everyday life and urge the common people to be good in thought and action so that the society becomes beautiful and beneficial to the mankind.

Originated as a creative pastime as cave depictions by our early ancestors, painting has undergone several alterations with time. The history of painting clearly indicates the various transformations of paintings from cave paintings to watercolor paintings and oil paintings.

The use of colors and shades are very important in painting. As a melodious music is not possible to originate without appropriate rhythm similarly a work of painting does not get life without perfect shades. Painting is a spontaneous manifestation of the true self of an artist; it speaks out his heart through the tinges of colors.

The Renaissance period (14th C to 17th C) is perhaps the golden period of arts and paintings in Europe. Renaissance classicism imparted a realistic touch to the paintings. The painters had good concepts on light, shadow and human anatomy and this made their art more appealing and communicative.

Luminaries like Leonardo Da Vinci, Michelangelo and Raphael stirred the world through their world-class paintings during this time. Da Vinci’s Monalisa is a painting unsurpassed down the ages.

With the establishment of various schools and movements of arts emerged the various theories on arts like abstract expressionism, art deco, constructivism, cubism, impressionism, modernism, neo-classicism, post modernism, romanticism and surrealism.

These gave birth to various painting forms like abstract paintings, figurative paintings, landscape paintings, collages, calligraphy and digital paintings. To an artist a painting is the enlivening of his soul on the canvas that transgresses all theories and echoes the great words of Keats – “Beauty Truth, Truth Beauty’.

For more information on painting browse other links of Ethnic Paintings

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The Saatchi gallery, opened by Charles Saatchi in 1985, is a London gallery for the exhibition of contemporary art. It is one of the best venues known for young and fresh artist to express or expose his/her work to the world. Works of local and international sculptors, painters, photographers and multimedia artists are displayed in this gallery. Saatchi gallery also introduced the open-access section, well-known as Your Gallery, where artists can upload arts and biographies onto their own page. On a given year over sixty million visitors around the globe access this venue using it as a medium of expression and acquiring knowledge. Furthermore, a tally reveals that there have been 1,000 school visits. Isn’t it jaw dropping? This gallery aims to encourage the art professionals and also holds valuable source of information for upcoming art fairs and exhibitions.

With its increasing popularity and people’s keenness towards art new moves have been adopted to notch up success in higher level. The gallery is presently refurbishing a 50,000-square-foot space to make it more spacious for art lovers. The architecture capacitates to enfold a bookstore, a coffee shop and also education purpose room for students inside the newly built building. Saatchi Gallery stands apart from conventional laws of art and based upon the principle of egalitarian approach which directly inspires the art connoisseurs. This London based gallery is open for every age and interest group and efforts are made to prop new and previously unexhibited artist and acts as a springboard for their careers.

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There are so many art exhibitions around that sometimes your own exhibition can get overlooked. When organising your next exhibition use your opening function to create something interesting and innovative. By coming up with an imaginative hook or angle you will be assured of getting more visitors through the door.

The majority of sales happen during the opening function therefore take full advantage of this opportunity to maximise dollars. Entice as many guests as possible to your event to increase your chances of sales by both shear numbers and by creating an illusion of demand.

Increasing visitor numbers can be achieved simply by having a drawcard at your opening function, such as inviting a VIP guest, having an unusual and interesting hook, unveiling a special artwork, or holding a competition.

1. VIP Guests

Everyone wants to meet someone famous. So inviting a VIP guest to your opening function is a sure way to get people to attend also. By association your visitors will automatically view your event as something special and important too -- just like your VIP. If you don’t know anyone well-known ask your friends, family or work colleagues for contacts. Someone is bound to know a sports celebrity, actor, musician or politician.

During the event make your VIP feel important and special. Offer them refreshments, introduce them to other important guests, and mention them warmly during your speech. A few days after the opening function follow up with a letter of appreciation.

2. Interesting Hook or Angle

With a little imagination and creativity you can make your opening function really special by adding an interesting hook or angle. Perhaps you can adopt an unusual hanging method to display the artworks; incorporate an interactive art installation which guests can ‘play’ with; include a multi-media display using video or sound; or hire a live jazz band to create atmosphere and ambience.

Art exhibitions can become very flat and static, so adding an extra dimension can be very beneficial. Not only will you increase visitor numbers, but you guests will see you as an interesting, innovative artist and perceive your artwork as a worthwhile investment.

3. Artwork Unveiling

Turn your opening function into an extra special event by unveiling an extra special project. This will create anticipation and excitement as your guests wait for the presentation to take place. You could unveil a major artwork which you have spent a lot of time on, something you have prepared for a special charity cause, a collaborative project that many artists have participated in, or a memorial piece to acknowledge a worthy event or person.

Create maximum impact and splendour by rigging up a curtain in front of your artwork. Attach lengths of ribbon to the curtain so it can dropped at the precise moment to reveal the master piece to your eager audience.

4. Competition

People love getting something for free so a competition is a sure-fire way of getting people to attend your opening function. Start the competition at the beginning of the evening and finish it at the end. This will encourage your guests to stay longer, which will in turn increase your chances of additional sales.

Be imaginative with the competition question. Consider your exhibition theme, use wit and humour, and incorporate logic and problem solving into your question to really get the conversation going. At the end of the evening get your VIP guest to announce the winner and present the prize.

By using a little imagination and creativity at your art exhibition opening function you can increase visitor numbers, enhance sales, create interest, and generate enough excitement to ensure guests come back again for the next exhibition!

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Painting is an aesthetic representation of the imaginative mindset of a painter. This form of art exerted tremendous influence on the society since its inception several thousand years ago. Painters are like alchemists who can make formidable creations intermingling colors on a piece of canvas.

It is through painting artists of all ages portray the conditions of the mainstream society, the various ethos, culture and traditions. A work of painting can best reveal the good and evil of the everyday life and urge the common people to be good in thought and action so that the society becomes beautiful and beneficial to the mankind.

Originated as a creative pastime as cave depictions by our early ancestors, painting has undergone several alterations with time. The history of painting clearly indicates the various transformations of paintings from cave paintings to watercolor paintings and oil paintings.

The use of colors and shades are very important in painting. As a melodious music is not possible to originate without appropriate rhythm similarly a work of painting does not get life without perfect shades. Painting is a spontaneous manifestation of the true self of an artist; it speaks out his heart through the tinges of colors.

The Renaissance period (14th C to 17th C) is perhaps the golden period of arts and paintings in Europe. Renaissance classicism imparted a realistic touch to the paintings. The painters had good concepts on light, shadow and human anatomy and this made their art more appealing and communicative.

Luminaries like Leonardo Da Vinci, Michelangelo and Raphael stirred the world through their world-class paintings during this time. Da Vinci’s Monalisa is a painting unsurpassed down the ages.

With the establishment of various schools and movements of arts emerged the various theories on arts like abstract expressionism, art deco, constructivism, cubism, impressionism, modernism, neo-classicism, post modernism, romanticism and surrealism.

These gave birth to various painting forms like abstract paintings, figurative paintings, landscape paintings, collages, calligraphy and digital paintings. To an artist a painting is the enlivening of his soul on the canvas that transgresses all theories and echoes the great words of Keats – “Beauty Truth, Truth Beauty’.

For more information on painting browse other links of Ethnic Paintings

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Since its birth, graffiti, or graffito in singular form, has always met two very conflicting views from people. For the conservatives, it is nothing more than a form of vandalism. For the modernists, it is an art form. Consisting from simple scratches to elaborate paintings on the wall, this art form is ancient and, like time, has evolved a hundred fold. In earliest times, the cavemen used it on the cave walls to depict their day to day activities, and the ancient Greeks used it in "modern style" to advertise prostitution. In this manner, the Greeks carved a handprint that looks like a heart beside a footprint and a number, indicating that a brothel is near. The Romans used it to carve love poems, love letters, alphabets, slogans or any other messages that they want to convey to the public in general in a fast way, on their walls and monuments. For them, it was a way of advertising and easy information dissemination. Not only did they do the art form in letters, they also had it in pictures. An example of this would be a second century carving of a crucified donkey that many believe to be a depiction of Jesus Christ.

Despite the many reproofs, famous artists and painters had made use of it for plain amusement or for their profession. At one time, Renaissance artists such as Raphael, Michelangelo, Filippino Lippi, Pinturrichio, and Ghirlandaio went to visit Nero's Domus Aurea ruins and carved, or painted, their names resulting to a new style of decoration of that era. A lot of evidences provide information that the Americans, the French, the Egyptians, the Malays, the Japanese and the Chinese of early times had also made use of it. This just goes to show that no matter how hard some people refute and regard it as junk, this certain art form is part of their culture and history.

In this day and time, graffiti has evolved greatly and has become part and parcel of the hip hop society and culture. With the technology available at hand, instead of carving the messages or images on the walls, the ones who make use of this art form now make use of the most handy aerosol spray cans, making it the most used tool for the modern art form. Because of this, graffiti has become a street art form and along with it emerged new styles. The first one is the basic form called the tag style. Because of its ease in execution being just a representation of an artist's name, it is most often used to gain recognition and as a signature of a larger piece. Next is where one makes a layer of color then outlines it with another color. This is called the throw-up style. Next style is the blockbuster style, which is made up of block letters making it very easy to read. The last style is called wild style and is made up of blended letters which are highly decorated.

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Naruto is an anime and manga series created by Masashi Kishimoto centered around a loud, hyperactive, young ninja who is in a constant search for both approval and recognition, and with a great aspiration to become Hokage. First published as a manga series in Japan by Shueisha in the 43rd issue of Shonen Jump magazine in November 1999, the Naruto series has risen in popularity exponentially and has since been licensed in the USA (becoming VIZ Media's top selling title) and nearly two dozen other countries, with the anime series currently airing in 18 countries.

Twelve years before the start of the series, a Kyuubi (nine-tailed fox demon) attacked the Hidden Leaf Village. A swing of one of it's mighty tails could raise tsunamis and flatten mountains, chaos reigned throughout the village as it killed many people, until the leader of the Leaf, the Fourth Hokage, defeated it by sacrificing his own life to seal the demon inside a new born child, that child is Uzumaki Naruto. The Fourth Hokage would forever be celebrated as a hero for sealing the Kyuubi and saving the entire village. It was his wish that Naruto would also be respected in the same way he would be, however, this was not the case. Everybody in the village avoided Naruto, regarding him as nothing more than the evil demon fox. The Third Hokage made it a rule within the village that other villagers were forbidden from mentioning this event to anyone, even their own children, however because of the way their parents treated Naruto, they mistreated him as well throughout most of his childhood.

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#1 TIME! The number one most important thing to remember is that YOU WILL BE RUNNING LATE.. Plan for it! If you need to be ready by 1:00 be dressed and ready by 11:00. Plan for about a 2 hour difference in real time and wedding time. It’s a freaky twilight zone reality that does not exist in any other form other than in weddings. THINGS WILL HOLD YOU BACK! It’s weird but true. So it’s better that you are dressed and ready early even if you’re sitting around in your hair and make up… gives us more time to shoot more awesome pictures! So it’s a win/win! The last thing you want is to be stressed out all day and not enjoying the beauty of everything you've planned so meticulously because your manicurist was really slow. Do not be the last person to get your hair done that day because your girls’ appointments were first. You need to be one of the first appointments. I can shoot the girls later but not you. Make sure get your hair done really early.. Hairstyles are notorious at quoting short times for hair sessions. If they tell you an hour for hair it will be an hour and forty five minutes. Make up artist are almost as bad. Have your manicure and pedicure done the day before… also make sure to exfoliate your face the day before. You make up artist should have told you this. Do a full body exfoliation if you can the day before it will leave you glowing for you wedding day. Make sure if you have never exfoliated before that you do it at least a month ahead of time in case your skin is ultra sensitive and it makes your break out. That way you know whether you’ll have a bad reaction.

#2 Meeting your fiancé ahead of time. I know that this is a very sensitive subject for many of you. I know that you want him to see you walking down the isle for the first time. So.. Seeing him or not seeing him? That is the question? Like everything involving your wedding, this is a very personal decision, which means it weighs entirely on your individual preferences. There is no pressure one way or the other. I believe that we can make the meeting just as special if not more by having you meet ahead of time. We can capture the moment with the perfect romantic setting and lighting. We can set up a scenario where you meet that adds another moment of mystique and wonder to your beautiful day. Also, having this time to be together can help diminish the stresses of the day. You guys can focus on what’s really important, as opposed to the many details that must fall into place. As a result, your love for one another takes center stage. And this can happen no matter what the setting. It definitely comes across in the photographs.

#3 Getting ready at the same hotel. This one is a biggie for me. I love to tell the whole story and sometimes because the bride and groom are getting ready at such for away locations I can then, only tell one side of the story with depth. If you guys book a room the night before you can each wake up relaxed and refreshed and ready to start your getting ready process. Plus I can shoot both of you getting ready. I can tell your story and well as his. Choose a beautiful hotel that has a garden area or beautiful lobby where I can take your down to shoot your pictures of you alone, you with your parents and also with your girls! Then I can do the same for him! Plus I can use the location to shoot your wedding dress, shoes and accessories. It’s much better than shooting in a home that’s messy with wedding chaos or a backyard. One last thing ...usually hotel rooms have big windows that allow in more natural light which translates to softer, prettier pictures as you guys get ready!

#4 Schedule some time for sunset pictures. The most beautiful, most magical time of the date is sunset or sunrise I call it “The sweet spot.” I know that most of you are not morning people. So if you can... try to schedule a little time for your and your loved one to get away for some sunset pictures. Skin is creamier, softer and more beautiful. The light is warn and there are less harsh shadows. So if you can do it schedule about 20 minutes outside of our regularly scheduled picture time for some sunset pictures. As you can see in the photo on the bottom left the sun is still very high up in the sky, the shadows are dark especially under the eyes.. But the rest of the photos are soft and warm, much more flattering.

#5 Well lit reception. Now this tip is one that many brides don’t put much thought into and I think in makes all the difference in the world in regards to your reception images. You see... a camera doesn't see the same things that the human eye sees. You may think when you walk in to a reception area that is lit with just the standard light that it looks bright enough, but have you ever noticed when you take a picture indoors usually all you see is the peoples faces and black in the background. Well, we “drag the shutter” which means that the camera will try to capture as much light as possible from the background but if there is little light then the camera is going to capture black. But if you use twinkle lights and candles (lots of them) and as much lighting directed towards tables and walls then the camera has more to capture. So go crazy, get some Chinese lanterns or get your DJ to add your monograms to the dance floor with lights.. It all helps as you can tell below. The brighter the light the better. I know that Dj’s are often trying to dim the lights for your first and other formalities but this does not have a nice effect on the images..unless they have a cool spotlight or something of that sort. So this is something that you may want to discuss with your dj.



#6 The ring shot. One little thing that also makes a difference is ….when you are putting on your rings, please be aware that I am trying to shoot it. So tilt your hand a bit so that your audience and I can see it. It really pays off at the end and looks beautiful in your album. If we are outdoors in plenty of light I will usually get in really close and do a shot of just the hands. This looks spectacular and really adds to the story of your day.

#7 The Kiss! The kiss, the finality, the end to your gorgeous ceremony. The moment everyone waits for! So take your time Don’t rush through. I’m not saying you guys have to slobber all over each other. Just take it slow. You should probably practice. Maybe he can slow dip you or anything. Make it romantic and unique. If you take your time during the kiss it usually allows me to take a close up and a full body shot depending on the lighting situation. If it’s outdoors I can do a sequence set of more than 2-3 pictures. Make sure that you are facing your profiles towards your guests. You could put your hands on his face for part of the kiss, but please be sure that there are no arms around necks. This usually blocks the whole kiss... Not so good.


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Prehistoric men painted animals for many reasons. Is it so strange that present day Artists are serious about capturing animals in their artwork? Painting different species seems to be an inherited trait for some and Laura Barbosa is no exception.

What does this have to do with "Hearts of Therapy"? Everything… if we take the time to see what is going on right in front of our eyes we would notice that our beloved dogs are more than just primitive canines and capable guards. They are therapy dogs with a heart whom are doing great work in our local community and have been featured in 3 giant paintings which are gaining much popularity and raising awareness for a local community concerned with health and healing.

In 2007 Laura Barbosa had been previously published in an article written by Zach Patberg in the Asbury Park Press of Monmouth and Ocean Counties in NJ entitled: "Art Of The Dog"

Ms. Barbosa has been working on 3-24"high x 48"wide acrylic paintings on canvas featuring 12 life size working therapy dogs of various breeds that currently work in our local community hospitals, nursing homes, psychiatric facilities, schools and other locations in Ocean County NJ where emotional service dogs are indispensable.

"I hope to help the patients heal through my artworks! The dogs in this painting are well known in our local facilities and visit the very patients who will be viewing the originals and whom love the dogs dearly and count on them to boost their moral, help them heal and lower their blood pressure."

Laura’s idea was to present a local facility with these works of art in hopes of raising money for The Bright and Beautiful Therapy Dogs, Inc. The Community Medical Center in Toms River NJ was chosen by the Artist because they totally support the use of Therapy Dogs in their Hospice, Oncology, Pediatric and Out Patient Programs. As of February 28, 2008 The Community Medical Center purchased the three works of art. The permanent display will begin March 2008.

"The idea was to create Beautiful Uplifting Artworks for the hospital and to increase public awareness to help diminish the existing breed specific stereotypes. The original paintings are priced at $2500 each and donations will be sent to The Bright and Beautiful Therapy Dog organization to help keep these special canines in our facilities!."

In conclusion, most will be surprised to see what types of dogs are included in these paintings! The most scrutinized and misunderstood are among the breeds on display. These paintings are more than just beautiful artwork, they make an important statement and are meant to educate the public and try to eliminate stereotypical prejudices against certain breeds of dogs in our society.


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There are so many art exhibitions around that sometimes your own exhibition can get overlooked. When organising your next exhibition use your opening function to create something interesting and innovative. By coming up with an imaginative hook or angle you will be assured of getting more visitors through the door.

The majority of sales happen during the opening function therefore take full advantage of this opportunity to maximise dollars. Entice as many guests as possible to your event to increase your chances of sales by both shear numbers and by creating an illusion of demand.

Increasing visitor numbers can be achieved simply by having a drawcard at your opening function, such as inviting a VIP guest, having an unusual and interesting hook, unveiling a special artwork, or holding a competition.

1. VIP Guests

Everyone wants to meet someone famous. So inviting a VIP guest to your opening function is a sure way to get people to attend also. By association your visitors will automatically view your event as something special and important too -- just like your VIP. If you don’t know anyone well-known ask your friends, family or work colleagues for contacts. Someone is bound to know a sports celebrity, actor, musician or politician.

During the event make your VIP feel important and special. Offer them refreshments, introduce them to other important guests, and mention them warmly during your speech. A few days after the opening function follow up with a letter of appreciation.

2. Interesting Hook or Angle

With a little imagination and creativity you can make your opening function really special by adding an interesting hook or angle. Perhaps you can adopt an unusual hanging method to display the artworks; incorporate an interactive art installation which guests can ‘play’ with; include a multi-media display using video or sound; or hire a live jazz band to create atmosphere and ambience.

Art exhibitions can become very flat and static, so adding an extra dimension can be very beneficial. Not only will you increase visitor numbers, but you guests will see you as an interesting, innovative artist and perceive your artwork as a worthwhile investment.

3. Artwork Unveiling

Turn your opening function into an extra special event by unveiling an extra special project. This will create anticipation and excitement as your guests wait for the presentation to take place. You could unveil a major artwork which you have spent a lot of time on, something you have prepared for a special charity cause, a collaborative project that many artists have participated in, or a memorial piece to acknowledge a worthy event or person.

Create maximum impact and splendour by rigging up a curtain in front of your artwork. Attach lengths of ribbon to the curtain so it can dropped at the precise moment to reveal the master piece to your eager audience.

4. Competition

People love getting something for free so a competition is a sure-fire way of getting people to attend your opening function. Start the competition at the beginning of the evening and finish it at the end. This will encourage your guests to stay longer, which will in turn increase your chances of additional sales.

Be imaginative with the competition question. Consider your exhibition theme, use wit and humour, and incorporate logic and problem solving into your question to really get the conversation going. At the end of the evening get your VIP guest to announce the winner and present the prize.

By using a little imagination and creativity at your art exhibition opening function you can increase visitor numbers, enhance sales, create interest, and generate enough excitement to ensure guests come back again for the next exhibition!

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The art, culture and lifestyle of ancient and medieval India is best reveled through miniature paintings. The penchant for religion, divinity and regal aristocracy is ostentatiously illustrated in these paintings. Though miniature in form, the paintings had an innate beauty and distinctiveness that made them stand out of the crowd.

Crafted by the regional artists these form of paintings narrate the stories of the bygone dynasties. Purely a brush work, these vibrant handmade paintings were the outcome of some dazzling minerals and vegetable colors. Gold and silver powders, conch shell powders and tiny pieces of semi precious stones were used in a miniature painting to make for the extra glow. It is for this luminous capacity, meticulousness and the universal appeal the paintings are very popular even today.

The themes of the miniature paintings were generally taken from the scenes of Indian epics and religious books like The Ramayana, The Mahabharata, The Bhagvata Purana, Git-gobinda, Surasagar, Rasamanjiri and more. Images from folk legends, classical music codes and royal court scenes were also beautifully illustrated in the paintings. Glass, fabric, marble, paper, silk, velvet, leather and ivory panels generally served as the canvas for the paintings.

This rare form of painting gave birth to some noted school of paintings namely The Deccan Schools, The Rajput and the Mughal Schools.

The Rajput School of Miniature Painting imbibed inspiration from the Krishna legends. The emphasis was more on the man and woman relationship and paintings were aesthetic portrayal of their emotion, love and passion. The lovemaking scenes of Lord Krishna and Goddess Radha are some of the finest specimens of the paintings. The Mughal School of Miniature Painting had Persian influence on them.

The painters focused mostly on court scenes, royal portraits, natural scenes and landscapes. The Deccan School of Miniature Painting derived a kind of hybrid painting form blending several styles of painting. The paintings manifested exuberant and bold themes influenced from Turkish and Persian paintings.

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So you have decided to start scrapbooking.  This is such an exciting time!  You have done the research, watched some of our tutorials, gone out and purchased everything you think you could possibly need and are now ready to get started on that first project.  The problem is there is no room left to actually do the work because your supplies are everywhere!  A good idea for scrapbooking is getting organized.

To make sure you have enough room for you, the most important one, you need to take extra steps to get your stuff organized.  In the long run, it will save you time, leaving you free to work, get inspired, be creative and of course, do more shopping.

The first thing you will need is storage containers to put all of your scrapbooking supplies in.  You can find all kinds of different containers at your local scrapbooking store, craft store, and sewing store.  Make sure to check out your local hardware store as well.  You can find great containers in the tool box section and even in the fishing/tackle box area. 

Another source for great containers is your own home.  Jars of all sizes come in handy as do small boxes, bowls and even baby bottles.  You can also use old jewelry boxes, tool boxes, and tackle boxes.  Anything that will help separate bits and pieces and is easy to get into will work so be creative and let us and others know what you have come up with. 

Now that you have that done, next on the list is shelves.  As we already discussed, you will have many different shapes and sizes of containers containing all of your odds and ends for scrapbooking, but if you don’t have shelves to put them on then they will still be all over the place using up your precious work space.  Make sure your shelves are sturdy or you will not be able to put much on them.  As you start out, you may not have very much in the way of supplies but trust me they will be overflowing in no time.

Many of us like to get together at a friend’s house for scrapbooking, and lots of times the local scrapbooking store will have monthly meetings or give how-to classes that you would like to attend.  If you think you would like to take your scrapbooking supplies with you when you leave the house then you will want an easy way to do that.  You do not want to be leaving a trail of your prized materials behind you as you go.  Also remember to take just what you need.  I know that is hard to do sometimes.

Again, check out the scrapbooking stores, craft stores or sewing centers for a large enough bag to hold everything you will want to take.  Get creative with a tackle box or knitting bag.  Try to label everything you take with you, especially your tools, so that they do not get mixed up with anyone else’s. 

One of the best ideas for scrapbooking supplies that we came up with is one of the newer tackle boxes with the soft sides and the plastic divided containers that fit snug inside.  They usually fit 4 or 5 containers and also have pockets on the outside.  We purchased extra containers and just set them up on our shelves at home.  When we want to take our stuff with us, we just grab the ones that you need, put them in the tackle box and away we go.

We cannot say it enough.  The best idea when it comes to scrapbooking is getting organized, and the most important thing to know when it comes to staying organized is to pick a system that works for you and stick with it.  Color, sizes, themes, patterns; it doesn’t matter how.  All that really matters is that it works for you, that it is organized in a way that you can easily find what you are looking for and that it gives you that all important space you need to be your creative self.

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Being responsible for a group art exhibition can be scary. There are artists to organize, the venue to book, promotional material to distribute -- the list is endless. One of the most stressful times is hanging day. This can be both chaotic and exhausting with artists dropping off artworks, paintings waiting to be hung, and price lists to organize. With some pre-planning you can make your hanging day less stressful and more fun.

Reduce stress on hanging day by getting some help, ensuring you have the right equipment, pre-marking the walls, adopting an efficient hanging method, and using artwork swing tags and price cards.

1. Get help

Well before hanging day enlist the help of several people. Give each person a different task so they can get on with the job independently. Enthusiastic helpers will allow you to coordinate the day, not left to do it all alone like a super hero.

When the day is over remember to thank your helpers by mentioning them at the opening function, sending them a thank you card, or presenting them with a Certificate of Participation. Appreciation for a job well done is important.

2. Bring the right equipment

There is nothing worse than discovering you have forgotten to bring the step ladder or hammer to hanging day. Returning home to collect the forgotten item is time consuming and stressful. Be organized by writing an equipment checklist and checking the items off before you leave. If you hang exhibitions regularly consider purchasing a tool box on wheels to help cart your equipment around.

Items to take along with you on hanging day are a step ladder, hammer, tape measure, spirit level, picture hooks and nails, pencil, box cutter, bluetac, map pins and twine. Other useful items are a screw driver, assorted screws, nails and hooks, gun stapler and staples, scissors, packing tape and a permanent marker.

3. Pre-marking the walls

Hanging artworks at the same height makes your exhibition look professional. Some people prefer the tops of the paintings to be level and some prefer all the centres to be at eye height. Whichever height you prefer you can reduce the time hanging the artworks by pre-marking the walls.

Using a tape measure and map pins, measure the required height at several different places across the wall. Connect the pins with long twine to give you a horizontal line. This line can then be used to accurately and quickly find the common hanging point.

4. Efficient Hanging Method

Climbing up and down a ladder can be frustrating and exhausting. Make life easier for yourself by getting someone to help you. One of you can be up the ladder, while the other can be passing the hooks, hammer and artworks. Not only does it take less time to hang the exhibition, but it will be more fun too.

If you’re using the pre-marking technique above, use a ruler to measure the distance between the hanging cord and the top of the painting. Transfer this measurement onto the wall, using the horizontal string line as your guide.

5. Swing Tags and Price Cards

Creating an accurate price list can be a nightmare, particularly at group exhibitions. Many artists change the title, price and even the artworks before the big day, and this can be frustrating to keep track of. Use swing tags and price cards instead of exhibition numbers and a price list to help reduce the stress.

Before the exhibition give every artist a swing tag. It should be hung on a cord long enough so the swing tag can hang over the top of the artwork. One side of the swing tag will have the artist details, the other will have the artwork details. Transferring the artwork details onto a price card will be easy to do now, and the completed card can be quickly adhered to the wall with bluetac.

The hanging day for a group art exhibition can be stressful and hard work. With a little bit of pre-planning, help and some basic equipment you can turn a frustrating day into a fun day!

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Ashish Balram Nagpal and Chintan Upadhyay hosted the Soumen Das' exhibition titled Time and Empty Space at the Ashish Balram Nagpal Art Gallery, Colaba on May 15 at 6 pm.


The Art fraternity and Page 3 celebs geared to see the works of the talented contemporary landscape painter whose works are being termed as "natural and fresh.

Artist fraternity including Amisha Mehta, Soketu Parekh, Rajat Dhar, Sanjeev Khandekar, Vaishali Narkar, Bakul Patel, Dr Saryu Doshi and Pundole gallery's owner Dadiba Pundole. Anil Dharkar, film director Pankaj Parashar, model Pratyshaa bole, and Niranjan Iyengar, Vinod Nayyar among the pg 3 celebs who attended the show.

Says Ashish Balram Nagpal, "I think Soumen Das is one painter who has complete mastery of his art. This is evident in his works that are on display. We have displayed six of his works here as he is not a very prolific artist. I think he is brilliant."

Soumen Das' works are on display at the Ashish Balram Nagpal Art Gallery till June 14.

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Pop art started in the USA during the earlier period of the 1960's. But it was already making its presence felt in the late fifties. Pop art was basically an art movement which aimed to replace the abstract mode of artistic expression with messages that are easier to understand. The pioneers of this art movement were Robert Rauschenberg and Jasper Johns. The boom of this art movement or phenomenon mainly happened in New York City. The initiators of Pop art believed that the metaphysical complexities of abstract art are already out of tune as times and people had become different. As its followers believed in the power of easy to recognize images of common items, pop art introduced new objects such as flags, maps and targets or stuffed animals and rubber tires on paintings. Irony, sarcasm, and mockery were the favorite aspects of this art movement. Pop art in many ways was a form of rebellion to the dictates of traditional expressionism. According to pop art, confining ourselves to the old rules of the arts can make us stagnant as they fit only with the old era.

Some of the known advocates of this new artistic movement were Claes Oldenburg, James Rosenquist Andy Warhol and Roy Lichtenstein. They shocked the painting world with their works that courageously introduced pop culture symbols such as comic strips, advertisements, and media images. Pop art was not just a far cry from the traditional rules on visual expression. It was in itself a slap in the face to the dictates of abstract painting style. Because the public could easily relate to its features, pop art gained the appreciation and support of many art critic groups. But in spite of that traditional abstract expressionism continued to flourish as it is the respected root of classic art. As they say, nothing beats the original. As pop art maintained its mockery activities, it did not reduce the popularity of abstract expressionism.

As abstract expressionism prevailed, pop art also continued to make its presence felt. The rivalry between these two styles resulted in the establishment of two new schools of abstraction: minimalist art and color-field painting. Minimalist art reduced art to its bare elements in reaction to the flamboyance of abstract expressionism. Frequently criticized for being too unapproachable, minimalist art has also been celebrated for its unprecedented immediacy. It attains this immediacy through abstract form, absence of decorative detail, and emphasis on geometry. On the other hand, color-field artists moved toward a more impersonal and austerely intellectual aesthetic. In their works they dealt with what they considered to be the fundamental formal elements of abstract painting. These elements are pure, unmodulated areas of color, flat and two-dimensional space, monumental scale, and the varying shape of the canvas itself.

Pop art and abstract expressionism engaged in a somewhat bitter rivalry in the American sixties. These two artistic styles struggled to get hold of the public's support. While abstract expressionism tried to keep its old tradition and rules, pop art considered its rival an elitist approach that influenced America's consumer society.

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Painting is an aesthetic representation of the imaginative mindset of a painter. This form of art exerted tremendous influence on the society since its inception several thousand years ago. Painters are like alchemists who can make formidable creations intermingling colors on a piece of canvas.

It is through painting artists of all ages portray the conditions of the mainstream society, the various ethos, culture and traditions. A work of painting can best reveal the good and evil of the everyday life and urge the common people to be good in thought and action so that the society becomes beautiful and beneficial to the mankind.

Originated as a creative pastime as cave depictions by our early ancestors, painting has undergone several alterations with time. The history of painting clearly indicates the various transformations of paintings from cave paintings to watercolor paintings and oil paintings.

The use of colors and shades are very important in painting. As a melodious music is not possible to originate without appropriate rhythm similarly a work of painting does not get life without perfect shades. Painting is a spontaneous manifestation of the true self of an artist; it speaks out his heart through the tinges of colors.

The Renaissance period (14th C to 17th C) is perhaps the golden period of arts and paintings in Europe. Renaissance classicism imparted a realistic touch to the paintings. The painters had good concepts on light, shadow and human anatomy and this made their art more appealing and communicative.

Luminaries like Leonardo Da Vinci, Michelangelo and Raphael stirred the world through their world-class paintings during this time. Da Vinci’s Monalisa is a painting unsurpassed down the ages.

With the establishment of various schools and movements of arts emerged the various theories on arts like abstract expressionism, art deco, constructivism, cubism, impressionism, modernism, neo-classicism, post modernism, romanticism and surrealism.

These gave birth to various painting forms like abstract paintings, figurative paintings, landscape paintings, collages, calligraphy and digital paintings. To an artist a painting is the enlivening of his soul on the canvas that transgresses all theories and echoes the great words of Keats – “Beauty Truth, Truth Beauty’.

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When it comes to framing and matting supplies, there are several different products you’ll need in order to do the job properly. A good framing job not only makes your artwork or photography look better, it also protects the artifact from becoming damaged or faded because of various environmental factors. As with almost anything else, it’s important to make an investment in the best framing and matting supplies you can afford.

Mount board is where it all starts; the quality of the mount board can make or break your framing project. This is what holds the artifact (the painting or the photograph rigidly in place. Acid free mount board is vital, particularly when it comes to archival quality works of art. The problem with some cheaper varieties of this material is that the acids can interact with other environmental pollutants and leech into your image, causing discoloring. This is one of your most basic and important framing and matting supplies, so make sure that you are using high-quality, acid-free mount board.

Mat board is another important consideration when putting together photo frames. This is used to provide a barrier between the artifact and the glazing, or clear covering. The problem is that if your picture or photo comes in actual physical contact with the glazing material, it can cause substantial harm, Mat board provides an air space that does two things: it prevents the buildup of damaging moisture inside the glass, and it allows room for the artifact to expand and contract as temperatures and room conditions fluctuate. Again, it is in your best interests to spend as much as you can to get the best archival-quality mat board that you can afford.

Anything that is true of traditional art framing goes double for photo framing supplies. Although paintings are delicate, the chemicals that are used to produce photographic images can interact with substances in the environment in all sorts of ways that can damage the image or cause it to fade. In investment in good quality photo framing supplies is an investment in the protection of your images.

The keys to effective artwork framing are (A) invest in the best framing and matting supplies you can find, and (B) know how to use and apply them correctly. No matter how wondrous the piece of art, improper framing can make it look cheap, tawdry and downright bad. Protect your valuable artwork by using only the best archival quality framing and matting supplies.

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Black and white photography has it’s own charm. Colours are great, but they can create a disharmony of clashing colours and draw attention away from shapes, textures and compositional elements in your photograph. If these are more important to you than colours, consider converting your picture into black-and-white. In the old days before digital photography, you had to decide before you took the picture weather you’d want to use a colour-film or a black-and-white film. Today, with a few clicks in an image editing program you can turn colour into black and white.

There is several ways of doing this in Photoshop, which this tutorial is based on -- similar effects can be achieved in most other professional image editing programs.

Just click on ‘greyscale’ or alternatively set the colour saturation to zero. Slightly more advanced, use the ‘channel mixer’ and tick the check-box called ‘monochrome’. But the most powerful way of converting your colour photo to black-and-white is a rarely documented method using a combination of ‘colour balance’ and ‘saturation’. Using this method is slightly more complicated, but ever so much more powerful. You have complete control over how your colours are transformed into black and white. Here’s how you do it:

1. First turn on the ‘layer box’ (Windows > Layers).

2. Click on the little ‘adjustment layers’ icon in the bottom and choose ‘colour balance’. Click OK when the dialog window opens.

3. Click ‘adjustment layers’ again, this time choosing ‘hue/saturation’. Immediately, set ‘saturation’ to zero and push OK.

Your image is now black-and-white, but here’s where it gets really neat:

4. Double-click on the adjustment layer you created in step 2, called ‘colour balance’.

You now have the possibility to adjust each of the 3 sliders to the left and right, thereby adjusting the way each of these colours are transformed into black and white! This has the same effect as using a colour filter in front of your lens and can make some colours stand out compared to others. Reddish skin-tones, the blue sky, the green grass and foliage, all these and more can selectively be lightened and darkened in the black-and-white rendition, giving you great control over contrast and texture in your photo -- much more powerful than the other greyscale-options that leave average red, green and blue colours with the same boring grey.

But wait, there’s even more: Notice the 3 small radio buttons in the bottom saying ‘shadows’, ‘midtones’ and ‘highlights’? By default the ‘midtones’ is selected, but selecting one of the other two allows you to only adjust the darkest or lightest tones respectively. A good use for this is when you wish to bring out some of the details hidden in the dark shadows of your image. Choose ‘shadows’ and make sure the ‘preserve luminosity’ check-box is NOT selected. Then crank up all 3 sliders by the same amount and voilá, your shadow details come to light!

5. When you’re done, select ‘layers > flatten Image’ on the main menu and save the result!

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Captured Moments by the Square Inch
by Diana Avergon

Ever think about the last time you were photographed with your mom, took that “playing ball” picture of your black lab or got a close up shot of your newly reconditioned chrome green 1967 VW Bug? Does a special photo come to mind for its beauty,its content or its emotional impact? Would you like to “live into” this special photo and experience it as something that you love? Try painting it... by the square inch.

Here’s how it goes. Select a photo of which you have fond memories. Lay a clear plastic sheet protector over it and make a grid using a ruler and a permanent marker. How many squares are on your grid? Are there 32 or 36 or 40? Whatever the number is, now you will grid a large (12 x 18 “ or larger) sheet of drawing paper, using a ruler and pencil. Make the same number of squares on your drawing paper as you did on your clear grid. Now you can copy, by the square inch, each little square of the photo, by painting it onto the bigger corresponding square on the gridded paper.

Tape your gridded drawing paper onto a hard surface--cardboard or a drawing board.
Mix or select pre-mixed acrylic paints and keep them covered to keep them moist.

It might be helpful to start with the upper left hand square, and the corresponding square on the grid paper. Paint, on the corresponding square on the paper. what you see in the little square covering your photo. Sometimes it is something recognizable, sometimes not. At times, you might want to paint two or more squares at a time. Whatever you do, try to get in touch with the essence of the captured moment in the photo This is going to slow you way down, get you to investigate each corner, sequence and nuance of the photo. You will come to know each square inch.

Plan to spend a month or more--try to work a little each day. Stand back. How do you feel about your painting, the photo,your experience? Did you capture the moment?

The above project is one of many which appear in Packet for Painters, What’s Your Style?, copyright 2007, NASCO. www.eNasco.com/artsandcrafts

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The art, culture and lifestyle of ancient and medieval India is best reveled through miniature paintings. The penchant for religion, divinity and regal aristocracy is ostentatiously illustrated in these paintings. Though miniature in form, the paintings had an innate beauty and distinctiveness that made them stand out of the crowd.

Crafted by the regional artists these form of paintings narrate the stories of the bygone dynasties. Purely a brush work, these vibrant handmade paintings were the outcome of some dazzling minerals and vegetable colors. Gold and silver powders, conch shell powders and tiny pieces of semi precious stones were used in a miniature painting to make for the extra glow. It is for this luminous capacity, meticulousness and the universal appeal the paintings are very popular even today.

The themes of the miniature paintings were generally taken from the scenes of Indian epics and religious books like The Ramayana, The Mahabharata, The Bhagvata Purana, Git-gobinda, Surasagar, Rasamanjiri and more. Images from folk legends, classical music codes and royal court scenes were also beautifully illustrated in the paintings. Glass, fabric, marble, paper, silk, velvet, leather and ivory panels generally served as the canvas for the paintings.

This rare form of painting gave birth to some noted school of paintings namely The Deccan Schools, The Rajput and the Mughal Schools.

The Rajput School of Miniature Painting imbibed inspiration from the Krishna legends. The emphasis was more on the man and woman relationship and paintings were aesthetic portrayal of their emotion, love and passion. The lovemaking scenes of Lord Krishna and Goddess Radha are some of the finest specimens of the paintings. The Mughal School of Miniature Painting had Persian influence on them.

The painters focused mostly on court scenes, royal portraits, natural scenes and landscapes. The Deccan School of Miniature Painting derived a kind of hybrid painting form blending several styles of painting. The paintings manifested exuberant and bold themes influenced from Turkish and Persian paintings.

Visit site Ethnic Paintings to find galore of paintings and interesting information on miniature paintings

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