Pop art started in the USA during the earlier period of the 1960's. But it was already making its presence felt in the late fifties. Pop art was basically an art movement which aimed to replace the abstract mode of artistic expression with messages that are easier to understand. The pioneers of this art movement were Robert Rauschenberg and Jasper Johns. The boom of this art movement or phenomenon mainly happened in New York City. The initiators of Pop art believed that the metaphysical complexities of abstract art are already out of tune as times and people had become different. As its followers believed in the power of easy to recognize images of common items, pop art introduced new objects such as flags, maps and targets or stuffed animals and rubber tires on paintings. Irony, sarcasm, and mockery were the favorite aspects of this art movement. Pop art in many ways was a form of rebellion to the dictates of traditional expressionism. According to pop art, confining ourselves to the old rules of the arts can make us stagnant as they fit only with the old era.

Some of the known advocates of this new artistic movement were Claes Oldenburg, James Rosenquist Andy Warhol and Roy Lichtenstein. They shocked the painting world with their works that courageously introduced pop culture symbols such as comic strips, advertisements, and media images. Pop art was not just a far cry from the traditional rules on visual expression. It was in itself a slap in the face to the dictates of abstract painting style. Because the public could easily relate to its features, pop art gained the appreciation and support of many art critic groups. But in spite of that traditional abstract expressionism continued to flourish as it is the respected root of classic art. As they say, nothing beats the original. As pop art maintained its mockery activities, it did not reduce the popularity of abstract expressionism.

As abstract expressionism prevailed, pop art also continued to make its presence felt. The rivalry between these two styles resulted in the establishment of two new schools of abstraction: minimalist art and color-field painting. Minimalist art reduced art to its bare elements in reaction to the flamboyance of abstract expressionism. Frequently criticized for being too unapproachable, minimalist art has also been celebrated for its unprecedented immediacy. It attains this immediacy through abstract form, absence of decorative detail, and emphasis on geometry. On the other hand, color-field artists moved toward a more impersonal and austerely intellectual aesthetic. In their works they dealt with what they considered to be the fundamental formal elements of abstract painting. These elements are pure, unmodulated areas of color, flat and two-dimensional space, monumental scale, and the varying shape of the canvas itself.

Pop art and abstract expressionism engaged in a somewhat bitter rivalry in the American sixties. These two artistic styles struggled to get hold of the public's support. While abstract expressionism tried to keep its old tradition and rules, pop art considered its rival an elitist approach that influenced America's consumer society.

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The Saatchi gallery, opened by Charles Saatchi in 1985, is a London gallery for the exhibition of contemporary art. It is one of the best venues known for young and fresh artist to express or expose his/her work to the world. Works of local and international sculptors, painters, photographers and multimedia artists are displayed in this gallery. Saatchi gallery also introduced the open-access section, well-known as Your Gallery, where artists can upload arts and biographies onto their own page. On a given year over sixty million visitors around the globe access this venue using it as a medium of expression and acquiring knowledge. Furthermore, a tally reveals that there have been 1,000 school visits. Isn’t it jaw dropping? This gallery aims to encourage the art professionals and also holds valuable source of information for upcoming art fairs and exhibitions.

With its increasing popularity and people’s keenness towards art new moves have been adopted to notch up success in higher level. The gallery is presently refurbishing a 50,000-square-foot space to make it more spacious for art lovers. The architecture capacitates to enfold a bookstore, a coffee shop and also education purpose room for students inside the newly built building. Saatchi Gallery stands apart from conventional laws of art and based upon the principle of egalitarian approach which directly inspires the art connoisseurs. This London based gallery is open for every age and interest group and efforts are made to prop new and previously unexhibited artist and acts as a springboard for their careers.

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May 29, 2008 underscored the 60th anniversary of London taxi for its successful taxi manufacturing for six decades now. The celebration began yesterday at the Private Hire and Taxi exhibition, held at The Ricoh Arena, Coventry.

According to reports, the well-experienced company has obtained an enormous deal since 1948, since the time when the very-first London taxi has gone to the Coventry plant. Other LTI highlights during that time include the creation of the Frisbee and the launching of the World Health Organisation by the United Nations. After that period, the automotive firm has distinguished over 100,000 taxis roll off the production line which includes the FX, Fairway and TX series. The group had a good time in front of presentation guests alongside the media with the traditional cutting of a personally baked cake to commemorate the remarkable occasion.

These vehicles can be spotted operating on the streets of London at present, in several towns and cities in Britain, and some can be seen around the world. Today’s talk of the town model from LTI is the TX4 taxi which is the most recent version of the legendary vehicle. The TX4 along with its great auto parts, has received vast positive response from its rising customer list.

LTI Vehicles is generally acknowledged for developing one of the world’s most legendary vehicles. The company is dedicated to constantly develop on their taxis to provide drivers and passengers a taxi service with stunning car parts that is highly desirable for others.

“As we celebrate this important milestone we are able to celebrate the past and look forward to the future. From the launch of the FX3 back in 1948 to the present day, LTI Vehicles has seen many changes in the development of its purpose-built taxis to meet the needs of the professional taxi driver,” says John Russell, CEO, Manganese Bronze Holdings PLC, LTI Vehicles’ parent company.

“This is an important year in the history of LTI Vehicles. The agreement with Chinese auto manufacturer Geely is progressing nicely with the finishing touches being applied to the facility near Shanghai. The development of electric and hydrogen fuel cell vehicles also shows our commitment to improve our environmental credentials and gain a competitive advantage in an expanding global marketplace. All this makes for an exciting future both at home and abroad.”

“We look forward to continuing this success to ensure that the next 60 years are as successful as the company’s first,” he added.

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May 29, 2008 underscored the 60th anniversary of London taxi for its successful taxi manufacturing for six decades now. The celebration began yesterday at the Private Hire and Taxi exhibition, held at The Ricoh Arena, Coventry.

According to reports, the well-experienced company has obtained an enormous deal since 1948, since the time when the very-first London taxi has gone to the Coventry plant. Other LTI highlights during that time include the creation of the Frisbee and the launching of the World Health Organisation by the United Nations. After that period, the automotive firm has distinguished over 100,000 taxis roll off the production line which includes the FX, Fairway and TX series. The group had a good time in front of presentation guests alongside the media with the traditional cutting of a personally baked cake to commemorate the remarkable occasion.

These vehicles can be spotted operating on the streets of London at present, in several towns and cities in Britain, and some can be seen around the world. Today’s talk of the town model from LTI is the TX4 taxi which is the most recent version of the legendary vehicle. The TX4 along with its great auto parts, has received vast positive response from its rising customer list.

LTI Vehicles is generally acknowledged for developing one of the world’s most legendary vehicles. The company is dedicated to constantly develop on their taxis to provide drivers and passengers a taxi service with stunning car parts that is highly desirable for others.

“As we celebrate this important milestone we are able to celebrate the past and look forward to the future. From the launch of the FX3 back in 1948 to the present day, LTI Vehicles has seen many changes in the development of its purpose-built taxis to meet the needs of the professional taxi driver,” says John Russell, CEO, Manganese Bronze Holdings PLC, LTI Vehicles’ parent company.

“This is an important year in the history of LTI Vehicles. The agreement with Chinese auto manufacturer Geely is progressing nicely with the finishing touches being applied to the facility near Shanghai. The development of electric and hydrogen fuel cell vehicles also shows our commitment to improve our environmental credentials and gain a competitive advantage in an expanding global marketplace. All this makes for an exciting future both at home and abroad.”

“We look forward to continuing this success to ensure that the next 60 years are as successful as the company’s first,” he added.

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There are so many art exhibitions around that sometimes your own exhibition can get overlooked. When organising your next exhibition use your opening function to create something interesting and innovative. By coming up with an imaginative hook or angle you will be assured of getting more visitors through the door.

The majority of sales happen during the opening function therefore take full advantage of this opportunity to maximise dollars. Entice as many guests as possible to your event to increase your chances of sales by both shear numbers and by creating an illusion of demand.

Increasing visitor numbers can be achieved simply by having a drawcard at your opening function, such as inviting a VIP guest, having an unusual and interesting hook, unveiling a special artwork, or holding a competition.

1. VIP Guests

Everyone wants to meet someone famous. So inviting a VIP guest to your opening function is a sure way to get people to attend also. By association your visitors will automatically view your event as something special and important too -- just like your VIP. If you don’t know anyone well-known ask your friends, family or work colleagues for contacts. Someone is bound to know a sports celebrity, actor, musician or politician.

During the event make your VIP feel important and special. Offer them refreshments, introduce them to other important guests, and mention them warmly during your speech. A few days after the opening function follow up with a letter of appreciation.

2. Interesting Hook or Angle

With a little imagination and creativity you can make your opening function really special by adding an interesting hook or angle. Perhaps you can adopt an unusual hanging method to display the artworks; incorporate an interactive art installation which guests can ‘play’ with; include a multi-media display using video or sound; or hire a live jazz band to create atmosphere and ambience.

Art exhibitions can become very flat and static, so adding an extra dimension can be very beneficial. Not only will you increase visitor numbers, but you guests will see you as an interesting, innovative artist and perceive your artwork as a worthwhile investment.

3. Artwork Unveiling

Turn your opening function into an extra special event by unveiling an extra special project. This will create anticipation and excitement as your guests wait for the presentation to take place. You could unveil a major artwork which you have spent a lot of time on, something you have prepared for a special charity cause, a collaborative project that many artists have participated in, or a memorial piece to acknowledge a worthy event or person.

Create maximum impact and splendour by rigging up a curtain in front of your artwork. Attach lengths of ribbon to the curtain so it can dropped at the precise moment to reveal the master piece to your eager audience.

4. Competition

People love getting something for free so a competition is a sure-fire way of getting people to attend your opening function. Start the competition at the beginning of the evening and finish it at the end. This will encourage your guests to stay longer, which will in turn increase your chances of additional sales.

Be imaginative with the competition question. Consider your exhibition theme, use wit and humour, and incorporate logic and problem solving into your question to really get the conversation going. At the end of the evening get your VIP guest to announce the winner and present the prize.

By using a little imagination and creativity at your art exhibition opening function you can increase visitor numbers, enhance sales, create interest, and generate enough excitement to ensure guests come back again for the next exhibition!

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#1 TIME! The number one most important thing to remember is that YOU WILL BE RUNNING LATE.. Plan for it! If you need to be ready by 1:00 be dressed and ready by 11:00. Plan for about a 2 hour difference in real time and wedding time. It’s a freaky twilight zone reality that does not exist in any other form other than in weddings. THINGS WILL HOLD YOU BACK! It’s weird but true. So it’s better that you are dressed and ready early even if you’re sitting around in your hair and make up… gives us more time to shoot more awesome pictures! So it’s a win/win! The last thing you want is to be stressed out all day and not enjoying the beauty of everything you've planned so meticulously because your manicurist was really slow. Do not be the last person to get your hair done that day because your girls’ appointments were first. You need to be one of the first appointments. I can shoot the girls later but not you. Make sure get your hair done really early.. Hairstyles are notorious at quoting short times for hair sessions. If they tell you an hour for hair it will be an hour and forty five minutes. Make up artist are almost as bad. Have your manicure and pedicure done the day before… also make sure to exfoliate your face the day before. You make up artist should have told you this. Do a full body exfoliation if you can the day before it will leave you glowing for you wedding day. Make sure if you have never exfoliated before that you do it at least a month ahead of time in case your skin is ultra sensitive and it makes your break out. That way you know whether you’ll have a bad reaction.

#2 Meeting your fiancé ahead of time. I know that this is a very sensitive subject for many of you. I know that you want him to see you walking down the isle for the first time. So.. Seeing him or not seeing him? That is the question? Like everything involving your wedding, this is a very personal decision, which means it weighs entirely on your individual preferences. There is no pressure one way or the other. I believe that we can make the meeting just as special if not more by having you meet ahead of time. We can capture the moment with the perfect romantic setting and lighting. We can set up a scenario where you meet that adds another moment of mystique and wonder to your beautiful day. Also, having this time to be together can help diminish the stresses of the day. You guys can focus on what’s really important, as opposed to the many details that must fall into place. As a result, your love for one another takes center stage. And this can happen no matter what the setting. It definitely comes across in the photographs.

#3 Getting ready at the same hotel. This one is a biggie for me. I love to tell the whole story and sometimes because the bride and groom are getting ready at such for away locations I can then, only tell one side of the story with depth. If you guys book a room the night before you can each wake up relaxed and refreshed and ready to start your getting ready process. Plus I can shoot both of you getting ready. I can tell your story and well as his. Choose a beautiful hotel that has a garden area or beautiful lobby where I can take your down to shoot your pictures of you alone, you with your parents and also with your girls! Then I can do the same for him! Plus I can use the location to shoot your wedding dress, shoes and accessories. It’s much better than shooting in a home that’s messy with wedding chaos or a backyard. One last thing ...usually hotel rooms have big windows that allow in more natural light which translates to softer, prettier pictures as you guys get ready!

#4 Schedule some time for sunset pictures. The most beautiful, most magical time of the date is sunset or sunrise I call it “The sweet spot.” I know that most of you are not morning people. So if you can... try to schedule a little time for your and your loved one to get away for some sunset pictures. Skin is creamier, softer and more beautiful. The light is warn and there are less harsh shadows. So if you can do it schedule about 20 minutes outside of our regularly scheduled picture time for some sunset pictures. As you can see in the photo on the bottom left the sun is still very high up in the sky, the shadows are dark especially under the eyes.. But the rest of the photos are soft and warm, much more flattering.

#5 Well lit reception. Now this tip is one that many brides don’t put much thought into and I think in makes all the difference in the world in regards to your reception images. You see... a camera doesn't see the same things that the human eye sees. You may think when you walk in to a reception area that is lit with just the standard light that it looks bright enough, but have you ever noticed when you take a picture indoors usually all you see is the peoples faces and black in the background. Well, we “drag the shutter” which means that the camera will try to capture as much light as possible from the background but if there is little light then the camera is going to capture black. But if you use twinkle lights and candles (lots of them) and as much lighting directed towards tables and walls then the camera has more to capture. So go crazy, get some Chinese lanterns or get your DJ to add your monograms to the dance floor with lights.. It all helps as you can tell below. The brighter the light the better. I know that Dj’s are often trying to dim the lights for your first and other formalities but this does not have a nice effect on the images..unless they have a cool spotlight or something of that sort. So this is something that you may want to discuss with your dj.



#6 The ring shot. One little thing that also makes a difference is ….when you are putting on your rings, please be aware that I am trying to shoot it. So tilt your hand a bit so that your audience and I can see it. It really pays off at the end and looks beautiful in your album. If we are outdoors in plenty of light I will usually get in really close and do a shot of just the hands. This looks spectacular and really adds to the story of your day.

#7 The Kiss! The kiss, the finality, the end to your gorgeous ceremony. The moment everyone waits for! So take your time Don’t rush through. I’m not saying you guys have to slobber all over each other. Just take it slow. You should probably practice. Maybe he can slow dip you or anything. Make it romantic and unique. If you take your time during the kiss it usually allows me to take a close up and a full body shot depending on the lighting situation. If it’s outdoors I can do a sequence set of more than 2-3 pictures. Make sure that you are facing your profiles towards your guests. You could put your hands on his face for part of the kiss, but please be sure that there are no arms around necks. This usually blocks the whole kiss... Not so good.


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Spring is here! Summer is approaching! Let's go outside and play for a while!

Remember how exciting summers were as a kid? Running in and out of the house, chasing down the ice cream truck and smacking at mosquitoes nibbling on our ankles -- ah, now those were the good old days! But being stock photographers, we have a license to embrace spring and summer with a childlike zeal, having the same kind of fun we used to have every time we ventured outdoors.

When it comes to getting the most out of our outdoor shots, I always try to remember two things: props and location. Bringing along just the right item, or spending a few minutes of your drive to head to an out-of-the-way spot can lead to stock shots that sell--and can lead to some great stories to tell at your next barbecue.

Not sure how to get started? Here are a few ideas on how to use props and location to get your best shots yet this summer:

On Vacation

Before heading out for a weekend getaway or a week-long road trip, take a few moments to think about the surroundings you will be visiting.

For example, I recently took a road trip to Sedona, Arizona, and in my suitcase along with my hiking clothes and toiletries I packed an assortment of Southwestern- dishes and tableware. Why? So I could photograph Southwestern food on location in the desert. The end result was salsa and tortilla chips nestled against a cactus growing in the famous red rocks of Sedona. I also brought along a folding camp chair, my son's dirty old hiking boots, and other types of outdoor gear for still life shots depicting the necessities for an outdoor adventure.

Heading to the beach? Bring along some drinking glasses, a colorful beverage, and paper umbrellas, set them in the sand and photograph them with the surf in the background. Planning on a little water-skiing this weekend? Get some shots of your gear on deck, before you get suited up. Is a raucous weekend in Las Vegas in your future? Use your imagination!

At Home

Believe it or not, backyards offer a whole world of on-location opportunities. What's in your backyard? Lush green grass or a swimming pool perhaps? But you don't have to wait for a picnic, pool party or vacation to photograph these types of events.

I live in a sparsely landscaped apartment complex, with a backyard that consists of a parking lot and swimming pool -- A typical concrete jungle in the city. But that didn't stop me from producing food photos that make people believe they were shot at a vacation resort or pool party. The kids who lived downstairs from me were swimming in the pool, I had some fresh steamed crab in the fridge for dinner, and a photo was born.

So make a pitcher of lemonade, slice up some watermelon, fix a few sandwiches, and set them on the lawn along with some flowers and linens. Stage the kids' outdoor toys before asking them to put them away. Before turning on the sprinklers, grab a pot of flowers that need watering, maybe some gardening tools, and place them in the grass. Turn on the water, and voila! Instant rain without getting wet.

Wherever you go, whether it's a vacation or a short trip to the backyard, bring along a few extra props that will tell the story of the location's scenery and atmosphere. Be creative! Pack some dishes in your suitcase, or put tonight's dinner on a picnic blanket in your front yard -- summertime stock photo opportunities are all around!

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Claude Monet French Impressionist Painter
     In my student days in New York, I frequented the Museum of Modern Art on the 58th St. Every time I visited the Museum I had an impulsive urge to spend at least 2-3 minutes watching the water lilies of Monet. It was a fabulous painting and no matter how many times I looked at it, it never got me bored. 
     Monet was one of the first to paint landscapes by looking at them with the newly marketed oil paints in tubes which made painting outdoors feasible. As he painted he became fascinated by the seasonal changes on the same landscape. The changing nature of trees, vegetation, sky and clouds caught his perceptive mind. He painted the same scene again and again in different seasons and at different times of the day. In doing that he perfected how to render the season’s impression on the canvas. His ability was recognized by the art critics of his time and they labeled his art as Impressionism. With his prolific paintings, Impression became the style of the day. 
     Why does his impressionist style attract you even today? I think because our landscape memory is the recollection of its impression stored in our mind. Monet painted not the landscape but its impression on his mind as he kept seeing it. He simplified the vision making it easy for us to recollect it. And that is why his paintings are classics. There is something which we learn about art when we see his work.
     Monet painted a model named Camille. They had a child Jean in 1867. Three years later in 1870 they got married. Camille fell sick in 1875, produced another baby boy in 1878 and died of Tuberculosis in 1879 when she was only 32. They were then sharing a house with Alice and Ernst Hoschede in Vetheuil. Claude continued to stay in the same house even after Ernst Hoschede became bankrupt and left for Belgium. Alice helped Claude by taking the two Monet boys to Paris where she had her own six children. A year later in 1880 she came back to Vetheuil to live with Claude. After her estranged husband Ernst died, Alice married Claude in 1992.  Alice died in 1911. Jean Monet, Claude’s first son who married Alice’s daughter died in 1914. Claude began to be troubled by cataract which affected his paintings. He had 2 eye operations. He died in 1926. But though his family life was a turbulent stream, Claude Monet maintained his peace with nature and brought out the beauty of his soul in his landscapes.
     Monet was a great artist of all times. His wonderful scapes can radiate a creative ambiance in any place whether it be a home or an office. And this is reflected in the prices his paintings fetch in art auctions. Recently his work “The Railroad Bridge at Argenteuil,” painted in 1873 fetched a record price of $41.4 million! 
     I have had the opportunity to select a few of his painting photographs and compile them in a calendar. This is an easy way to put up Monet and his sense of beauty on the wall and make him a part of your everyday life. You can watch a slide show from here:  http://www.youtube.com/v/N8nEc2yAu7o 
     The calendar is available at    http://www.lulu.com/content/2548691 
Dilip Dahanukar,   30th May 2008

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Ashish Balram Nagpal and Chintan Upadhyay hosted the Soumen Das' exhibition titled Time and Empty Space at the Ashish Balram Nagpal Art Gallery, Colaba on May 15 at 6 pm.


The Art fraternity and Page 3 celebs geared to see the works of the talented contemporary landscape painter whose works are being termed as "natural and fresh.

Artist fraternity including Amisha Mehta, Soketu Parekh, Rajat Dhar, Sanjeev Khandekar, Vaishali Narkar, Bakul Patel, Dr Saryu Doshi and Pundole gallery's owner Dadiba Pundole. Anil Dharkar, film director Pankaj Parashar, model Pratyshaa bole, and Niranjan Iyengar, Vinod Nayyar among the pg 3 celebs who attended the show.

Says Ashish Balram Nagpal, "I think Soumen Das is one painter who has complete mastery of his art. This is evident in his works that are on display. We have displayed six of his works here as he is not a very prolific artist. I think he is brilliant."

Soumen Das' works are on display at the Ashish Balram Nagpal Art Gallery till June 14.

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Naruto is an anime and manga series created by Masashi Kishimoto centered around a loud, hyperactive, young ninja who is in a constant search for both approval and recognition, and with a great aspiration to become Hokage. First published as a manga series in Japan by Shueisha in the 43rd issue of Shonen Jump magazine in November 1999, the Naruto series has risen in popularity exponentially and has since been licensed in the USA (becoming VIZ Media's top selling title) and nearly two dozen other countries, with the anime series currently airing in 18 countries.

Twelve years before the start of the series, a Kyuubi (nine-tailed fox demon) attacked the Hidden Leaf Village. A swing of one of it's mighty tails could raise tsunamis and flatten mountains, chaos reigned throughout the village as it killed many people, until the leader of the Leaf, the Fourth Hokage, defeated it by sacrificing his own life to seal the demon inside a new born child, that child is Uzumaki Naruto. The Fourth Hokage would forever be celebrated as a hero for sealing the Kyuubi and saving the entire village. It was his wish that Naruto would also be respected in the same way he would be, however, this was not the case. Everybody in the village avoided Naruto, regarding him as nothing more than the evil demon fox. The Third Hokage made it a rule within the village that other villagers were forbidden from mentioning this event to anyone, even their own children, however because of the way their parents treated Naruto, they mistreated him as well throughout most of his childhood.

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Shyam Sharma, a nationally acclaimed artist had his 29th solo exhibition on 17th April at Art Desh the studio, Tardeo with 15 paintings on display. At the launch of his exhibition which will be on till 26th April among the celebrities were actor Aanjjan Srivastava, Kapil Khadiwala, Subhash Ghai's discovery Vikrant Chaturvedi, Swatantra Kumar from Subhash Ghai's Yuvraj, Preeti Jain and Gaurav Chanana. Gary Richardson, Ganesh Venkatraman and Tarana Singh performed a 8minute interactive comedy skit 'Got to be Love!' and Madhusudan gave a splendid seven minutes Sitar performance



Senior artist Prithvi Soni inaugurated the show lighting the lamp with actor Aanjjan Srivastava. The other artists Amisha Mehta, Gautam Patole, Reena Patel, Surendra Jagtap, Raghu Neware and M Shankar were present to support their colleague.



"Shayam Sharma is a man related to earth and simple in nature. His simplicity is witnessed in his work. More than a painter he is a complete human being a good friend." says Prithvi Soni.



Shayam Sharma, who was overwhelmed with the response he got, said about his exhibition "Spritual Synthesis is a collection of figurative 15 paintings on Lord Buddha and Krishna and our simple day-to-day life. In my work the texture is always important."



Shyam Sharma - interview



'An ant may work its heart out, but it can't make money.' The proverb became wrong for the smallest member of a farmer's family from Lakhimpurkheri, when he supported his family and elder brother's study expenses by working in a shop and continued his studies too.

Shyam Sharma stands tall in proud when he puts his life story in the picture.

His sacrifices and hard work showed result soon, when the elders realised and supported him pursue his dreams in Arts – after he completed his BFA degree he completed AMT (Art Master Training) 2year Diploma and one year training in pottery design.

Then the struggle of making a place in the field of art for himself started. At night he did commercial work and day time made paintings. Shyam participated in the All India painting Camp. After this, his first solo exhibition held at Jehangir Art Gallery in Mumbai. He got Ghari scholarship from National Lalit Kala Academy. He shifted to Delhi and settled there.



From whom you inspired to become a painter? How did it happen?

I was passionate about art from my childhood, but am deeply inspired by my elder brother who was also a painter. Sadly, he is no more with me now but I always follow his footsteps and his guidance which given me strength to become a painter.

What are the mediums you work with?

I work in different mediums like crayons, oil pastels, black ink and Water colours etc. but my recent works are with oil on canvas. Painting is almost like meditation for me. I plan my painting according to the subject I am working on. I sit in front of a blank canvas and draw the sketch and fill the colours light and dark shades, depth, tone in textures according to my choice.

Which genre of artists do you belong to?

I would like not to belong to any genre. Artists are unique and never static. I would say that my style of work is a combination of modern generation, semiabstract, and figurative simplicity.

How do you see today's artists in comparison to the veterans?

Every artist is unique but according to time their experiences reflect on their work, which makes all the difference. Well about the art scenario in India, the art is gone global and became an investment. Today's artists are more aggressive towards everything from creating the art to selling it. In past, most of works were done in realistic and photorealistic and those artists were still discovering new ideas in still life or portraits; where today its simple modern or contemporary.

How would you like to comment on art education in our country?And how can it be improved?

I think the art education is not quite good in India, as there is a basic problem with the root level of education system and is needed to be changed. According to me, education should be such that students should able to express their creative approach and potentiality fully. But I personally think that art is a talent which you are born with and it can't be taught.

Why only a few have made it to international market?

It is only because the policies of the galleries and the corporate houses promote big names and senior artists only.

How important is colour scheme in each painting? And the mood of the artist?

Each colour has a deep impact on human mind. There are no set rules for creating colour scheme. It basically depends on the artist what he thinks, his perception towards the subject. The artist's mood is definitely important for the work. Happy mind makes happy paintings.

What would you say about the current art scene in India?

In the time of globalization, corporate sectors and private galleries plays a very important role in the art scenario. They have made art absolutely global. The corporate sector gives national- international buyers who are purchasing paintings from artists. This helps to set up prices and correct evaluation of art. And Indian paintings are and will always be in demand.

Tell us about your future exhibitions. How many exhibitions have you had till now?

I have had about 28 solo show as yet and 40 group show with many senior artists in various prominent galleries in India. With my active group, am planning a group show in this year. I am participating in a camp which will be organised by private collectors in the next month. I have thought of a new subject but it is too early to disclose about it.

What do you do when not painting?

In free time I meet my colleagues and go to the exhibitions. I am a very family family man… so most of the free time I spend with my sons and wife.

Where and how do you see yourself in the future?

I see myself in the future as a successful international painter like every artist dreams and that people would appreciate my work and collect it.

How do you see life and its facts as an artist?

I have seen my life as a creator who creates the life and fills them with colours and according to my view life is a continuous journey where is there is no beginning and no end.

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As we all know that no one is born a talented artist. Even many of the famous artists have acquired their skills with the brush and perfected it for so many years to reach the peak of success. If anyone get inspire to create a beautiful painting on a white canvas, it means its an addictive hobby, and then suddenly that inspiration start getting converted into shape, figure, emotion, expression in numerous colors.

To know more about art one needs to understand ART first. What is art? In simple words art is the use of skill and imagination for the works of art. Art can be a basic form of communication. Just as a dancer sways to a rhythm or beat, an artist picks his brush to color an unfruitful white canvas to make it fruitful.

We all know that we have a budding artist within us. We never try to explore it; we hide our skills, never give chance to give it a platform. Art is really so simple that it does not require any specific qualification, any fixed age or any

privilege skill to start with.

All what we need is the time and our own ability to nurture it. One can start learning art at any time. Art can be a good exercise to relax our selves. Art is the way from which we expressed our feelings, ideas, skills, imaginations, and oncepts on a peace of canvas.

Art have so many forms like drawing, sketching, painting, scribbling etc. Many talented people take their art form to another aspect and create unique paintings.

Now learning about Art is extremely easy. Slowly developed it as a hobby, art can easily become a profession. By reading this you may arise with a question??Question is …….

Can Anyone Become An Artist?

Yes, according to me anyone can become an artist. What we need is the proper medium which can help us to create works of art, the right use of pencil, pastels, watercolors, charcoals, oil paints and acrylics. Select the subject, any subject that give pleasure to your eye is just right for your painting. It could be a nature, scenery, photograph, animal, any other painting, just about anything, which pleases your creativity in first attempt.

This is your chance to explore yourself, make a space in the world of art, and bring out your true spirits for art.

How to start with?

1. You can join any art classes, any short term courses in university near by you or join any painting workshop.

2. Chose a subject that inspires you to create a beautiful painting.

3. Don’t get disappointed even if you are not able to do the painting as per the subject, but try to make it.

4. See the subject from all the angles, Just don’t sketch out everything that has to be painted.

5. For the first attempt you may feel little bit bore, but slowly you will get into it and you will gain interest.

6. while drawing keep your mind open, will help to learn so many new things

7. In painting you can use your imaginative colors. For example grass is green but it could be red or yellow too. Sky is blue but it could be orange, grey, or any other color.

8. Painting will give you the excitement but it is not always possible that you will complete the work within a day.

9. May be you would jump on another subject, simultaneously in the meanwhile.

10. Keep good focused on the painting, anytime you may feel that your interest is fading at that moment leave it for sometime.

11. As such there is no deadline to finish a painting. It is not a job which should get completed in between nine to five.

12. Use eyes and hands to draw. Do not go by the mental image that forms in the mind. You will never get it exactly the finish.

13. Try to be keep teacher around you to help in areas where you are likely to be stuck.

14. It is not necessary that everything will go right at the first time. Sometimes you may waste time and some art material but then you will learn more and generate more good art pieces.

15. Painting is always learnt through trail and error

16. So don’t give up yet if it has not worked out. There is always a new subject to work on.

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Optimize your photography website with these simple tips.

Optimizing your website for Google can seem like a daunting task, but if you take your time to put your site together and always think of how Google is going to look at your new window to the world, you'll soon be on your way to a high Page Rank. First and foremost, you want to determine what your theme is going to be for your website. Are you going to share with the world all there is on how to take photos of cats? Maybe you want to have broader appeal and include all animals. Just remember, the more focused you are, the better you are able to bring your website to the forefront of the search results. David Hobby and his Strobist.com website is a great example of focusing on one particular aspect of photography, lighting with small portable flash. As of this writing, Hobby now has 200,000 mostly amateur photographers as devoted readers. His site attracts 1.6 million page views a month. His reported income is close to six figures, after only a mere 8 months.

So in thinking about your theme, it should always express the particular niche you have chosen for your website. One example is to have your title description describe your site. An example would be if you live in Cleveland and are promoting stock photography, you might want your title to not only have your website name, but the the following, "Stock photographer in Cleveland, Ohio". Now that's just a simple example, but you get the idea

Next, you have to have unique, relevant content. If you don't have unique content, Google will likely never find it or rank it so low that you'll never get eyeballs to your page. Just ripping content from the pages of others, will probably not be a big help to your ranking either. Admittedly, when first starting out, you'll need to have something on your site or no one will show up. ArticlesBase.com, is a good source for content and it's free to use provided you follow their simple rules. Once you start adding your own content, you can also submit your articles to ArticlesBase.com to generate traffic back to your own site from other sites with similar interests.

Some ideas for adding content:

Create top 10 lists - I.E. The top 10 best celebrity photographers

Tips and Tricks

A Blog

Educate users on a particular aspect of photography, like Photoshop or using a program like Aperture.

Next you want to think about how keywords will be used throughout the article. If you are sharing information on how to shoot fourth of July fireworks, you would want to have keywords relevant to this type of shooting. Don't forget to add a title and a heading (Using the tag) to the page, such as "How to Photograph Firework Displays" This will help Google determine the topic of your article. The Page Title is the most important tag you can use for search ranking. Meta tags used to be the big "Must have" for your page, but people abused this to the point of being less useful for your pages.

When publishing images within your articles, it is extremely important to use alt tags , example (alt="Serengeti Plain") This gives the viewer a description of your image as well as allows your image to come up in image search results on Google. If you're bored, you can play Google's Image Labeler Game. Many gallery programs you use will have the option to add a description to your image, along with the name. Make sure you do this along with making the file name relevant to the image. I know I'm really bad about having images on my gallery with a name like DSC_1234. It's easier to start on the right foot, rather than try to change names and descriptions later.

You can also think about adding a forum, which will also be populated with unique content. Just be careful to not populate forums with content from RSS feeds as it really discourages people from participating.

Next you want to have other sites linking into you, but it's not just a matter of having them throw up a link, it's what they say about your links that's important. Here on PiQFire.com, we love to link to others, but we prefer to do it in the context of a story or feature as this helps both sites. Us with content and the others get a link back that has content specific to their site. What others say about your site is really important.

These are basics and hopefully this will give you a starting point on your way to getting your photography noticed on the web. For more info check out the book, "Getting Noticed on Google in Easy Steps"

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Optimize your photography website with these simple tips.

Optimizing your website for Google can seem like a daunting task, but if you take your time to put your site together and always think of how Google is going to look at your new window to the world, you'll soon be on your way to a high Page Rank. First and foremost, you want to determine what your theme is going to be for your website. Are you going to share with the world all there is on how to take photos of cats? Maybe you want to have broader appeal and include all animals. Just remember, the more focused you are, the better you are able to bring your website to the forefront of the search results. David Hobby and his Strobist.com website is a great example of focusing on one particular aspect of photography, lighting with small portable flash. As of this writing, Hobby now has 200,000 mostly amateur photographers as devoted readers. His site attracts 1.6 million page views a month. His reported income is close to six figures, after only a mere 8 months.

So in thinking about your theme, it should always express the particular niche you have chosen for your website. One example is to have your title description describe your site. An example would be if you live in Cleveland and are promoting stock photography, you might want your title to not only have your website name, but the the following, "Stock photographer in Cleveland, Ohio". Now that's just a simple example, but you get the idea

Next, you have to have unique, relevant content. If you don't have unique content, Google will likely never find it or rank it so low that you'll never get eyeballs to your page. Just ripping content from the pages of others, will probably not be a big help to your ranking either. Admittedly, when first starting out, you'll need to have something on your site or no one will show up. ArticlesBase.com, is a good source for content and it's free to use provided you follow their simple rules. Once you start adding your own content, you can also submit your articles to ArticlesBase.com to generate traffic back to your own site from other sites with similar interests.

Some ideas for adding content:

Create top 10 lists - I.E. The top 10 best celebrity photographers

Tips and Tricks

A Blog

Educate users on a particular aspect of photography, like Photoshop or using a program like Aperture.

Next you want to think about how keywords will be used throughout the article. If you are sharing information on how to shoot fourth of July fireworks, you would want to have keywords relevant to this type of shooting. Don't forget to add a title and a heading (Using the tag) to the page, such as "How to Photograph Firework Displays" This will help Google determine the topic of your article. The Page Title is the most important tag you can use for search ranking. Meta tags used to be the big "Must have" for your page, but people abused this to the point of being less useful for your pages.

When publishing images within your articles, it is extremely important to use alt tags , example (alt="Serengeti Plain") This gives the viewer a description of your image as well as allows your image to come up in image search results on Google. If you're bored, you can play Google's Image Labeler Game. Many gallery programs you use will have the option to add a description to your image, along with the name. Make sure you do this along with making the file name relevant to the image. I know I'm really bad about having images on my gallery with a name like DSC_1234. It's easier to start on the right foot, rather than try to change names and descriptions later.

You can also think about adding a forum, which will also be populated with unique content. Just be careful to not populate forums with content from RSS feeds as it really discourages people from participating.

Next you want to have other sites linking into you, but it's not just a matter of having them throw up a link, it's what they say about your links that's important. Here on PiQFire.com, we love to link to others, but we prefer to do it in the context of a story or feature as this helps both sites. Us with content and the others get a link back that has content specific to their site. What others say about your site is really important.

These are basics and hopefully this will give you a starting point on your way to getting your photography noticed on the web. For more info check out the book, "Getting Noticed on Google in Easy Steps"

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With the new era of digital cameras, photography has become much more common. Almost anyone can afford a camera and most have one. Even many cell phones have a digital camera. While most new cameras are also quite easy to use, there are still many areas in photography where you need to have the knowledge to succeed.

These are some of the most common mistakes made by new digital photographers. If you are an unpracticed photographer, you should try to at least avoid these mistakes.

1. Poor Camera

This is by far the most common mistake these days. Many cheap digital models are only good for either landscape or closeup photographs due to their poor focus. Know your camera: what it can do and what are its limitations. A $200 model should never be used for professional photography.

2. Lighting

Another common mistake is to forget lighting or believe the camera takes care of it all. You will seldom get as good images in dark conditions with a cheap flash than you could in plentiful natural lighting.

3. Cropping

While it is much easier to see what gets in the photo with today's LCD displays than with an old-fashioned seeker, there are still plenty of mistakes you can make. One thing to remember is that you can crop the image on your computer. That means you will most likely want to include too much space around than too little.

4. Zooming

There are so make things that can go wrong with zooming. The number one thing to keep in mind is to always avoid using the digital zoom. It is a feature found in many cheap digital cameras that basically has the same result as cropping the image on your computer. If you need zoom, only use the optical zoom.

5. Camera Settings

If you are not sure about the settings in your camera, it may be best to use the defaults. If there are several modes, the 'auto' mode is usually the easiest to use. You should take care that you use a good format to save the images. Often the high detail mode with the highest resolution should be used, if you are not short on memory.

The bottom line is: if you are serious about photography, you must practice it. Digital photography does not differ much it that sense.

If you do not learn the skills in advance, you are going to have to learn them the hard way, and that will probably mean making these mistakes and more. It can also mean tens or hundreds of lost photos - shots that could have been excellent had you not made a simple mistake.

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The artist's inspiration has been the object of wonder and misconception ever since early Man created the first painted images on the walls of his caves thousands of years ago. In truth, there is nothing mystical about creative thought; the average person uses it in his daily life to solve everyday problems, just as the engineer, scientist and architect employ it in their professions. And to expand the mind's ability to conjure new ideas can be accomplished by simply learning to break free of restrictive ways of thinking, and by exposure to new and stimulating experiences.

Everyone falls into a mental rut sometimes, where habit takes over. But habit is the enemy of creative thinking! You have to open your mind to new ways of experiencing and perceiving in order to gain fresh ideas. There are many established ways to improve your ability to think creativity. To begin with, you should always strive to avoid time-worn cliches; for the visual artist, this could mean taking a common subject, such as a still-life, and injecting some new element into it that normally wouldn't be associated with that subject. Consider my painting "Voodoo", found on my website. Instead of the usual flowers and vase, I have used an African ceremonial mask and a human skull, adding a darker twist to the traditional still-life genre.

Many innovative ideas originate in the subconscious mind. Therefore dreams have often been the source of new ideas for the artist, and for Surrealists such as Salvador Dali they were usually the main source of inspiration. Sometimes the mind can be stimulated simply by drawing or painting in a different location than usual. I often find walking or pacing helps me to think and sort out any confusion in my mind. Trying your hand at other fields of artistic expression, such as writing or music, can give you new perspectives. Literature and film can also be rich sources of ideas. I found that studying poetry helped me to draw more upon the subconscious, and to gain a greater appreciation of the principles that are common to all art forms.

One of the greatest obstacles to creativity is conformity. Don't allow yourself to be restricted by what is socially or culturally acceptable; society encourages uniformity of thought and attitude--this is the death of creative thought! Follow your own instincts, believe in your own view and perceptions; don't be afraid to be provocative if that is what your concept demands. Look at my works "The Lady Of Ill Repute" and "The Years"--certainly not everyone's idea of beauty. But beauty can be found in the truth expressed in these women's faces and in their lives, like the beauty found in the ruins of a forgotten temple. In these women one sees the scars of past experience and the price that time exacts from the human soul. In short, they tell a good story, something art should always strive to do.

It is a great mistake to think that every idea that you arrive at should be a good one. The creative process is by nature somewhat chaotic--this naturally means that some of your ideas, perhaps most of them, are simply bad. This is fine! Even a bad idea can be of value, as it may lead you to make an unconscious connection that eventually matures into something useful. In fact, sometimes deliberately coming up with a bad concept can open the mind to something better. It's all a matter of making unconscious associations.

I have come to believe that there is no truly original idea. Everyone builds upon the work of others. Consider Van Gogh's style: his use of color comes from the Impressionists; the hard outlines and flat forms from Japanese woodcuts; his everyday subject matter from earlier artists like Millet. Perhaps his fluid brushwork is his only personal contribution to his distinctive style. But by blending these different elements he came up with something totally unique and personal. This is an example of combining influences. And there are other approaches, such as modifying, maximizing, minimizing, substituting, rearranging, reversing, exaggerating and separating.

Inspiration is always an uncertain commodity; some people will always have the advantage over the rest of us when it comes to innovative thinking. But everyone can expand their capacity for creative thought by ridding themselves of old ways of thinking, and by exposure to new experiences. However, it isn't always necessary to be clever; the most important consideration for the artist is to have something to say, and to say it well. I hope that the methods discussed here will help you to do just that.

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For the past few weeks I have been going to a workshop on the "Nude in Perspective".
This week our task was to use white conte pastel or chalk on a black or dark piece of paper. I used pastels a few years ago and didn't like them much. They left my hands feeling all dry and chalky and I went through a lot of hand cream. So I wasn't really looking forward to the class.
Tanya, the model was lying down on a white sheet facing me with her abundant red hair tumbling over her right arm and her leg crooked beneath her. It was an interesting pose.
I took a deep breath, banished all negative thoughts and studied her intently for about 15 minutes before I began to mark out the paper, using a paintbrush to get a perspective. The angle of the foot presented a challenge, but I kept calm and stayed in the moment.

Eventually I began, working much slower than I usually do, deliberately stroking the chalk lightly over the surface, getting used to the old familiar scratchy feeling of chalk on paper. I began to relax and enjoy the sensation, taking pleasure in the form and medium, the play of light on the sensuous curve of the navel and the nice straight arm providing the composition with structure. Tanya was lying on a sheet which was the highest key colour. Using only white, I was careful to leave the dark areas on her body completely black, with just a few tiny dots of conte sprinkled around to suggest the form. The high key areas were on her back and shoulder, a little on the curve of her calf and along her arm and I used quite a heavy hand here to emphasise the light areas. I was hardly aware of time passing and it felt like a meditation as I kept my mind clear and concentrated.
We had a short break for tea and then I had just half an hour to finish off.
When I finally stepped back I was quite pleased with what I saw on the paper. Here she is - Tanya in white on black.

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It's Mother's day today in my country. I have been working in my studio listening to Joni Mitchell singing "Clouds" from one of her more recent recordings. Her voice is mellow, smoky, plaintive, a little melancholy. What a great song and a fitting tribute to mothers, perhaps. At least that is what I feel today - a lot older but not much wiser. The line, "I really don't know life at all" rings true. It is a puzzle, a mystery.
My painting began as a collage last week in a workshop- I sprinkled beauganvilla blossoms over a board and glued them on over embossed toilet paper, lavender sprigs and some magazine images of flowers.
During class I painted a nude over the collage but I wasn't happy with it and took it home to work on it in my studio. I threw some paint around and tried a wash of walnut wood-stain. I began to get excited at this point because it was looking more "together" and unified, although I still couldn't find any images. I left it for a day or so and then looked again.
Now I could see some patterns emerging - a miniature landscape in the foreground and the figure of a woman. Then a strange mask-like face appeared and I worked with these for a while, drawing into the paint with a sharp ink pen. Then I uploaded it onto my computer and photoshopped it for a while. This is the result - a work in progress. What do you think?

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Black and white photography has it’s own charm. Colours are great, but they can create a disharmony of clashing colours and draw attention away from shapes, textures and compositional elements in your photograph. If these are more important to you than colours, consider converting your picture into black-and-white. In the old days before digital photography, you had to decide before you took the picture weather you’d want to use a colour-film or a black-and-white film. Today, with a few clicks in an image editing program you can turn colour into black and white.

There is several ways of doing this in Photoshop, which this tutorial is based on -- similar effects can be achieved in most other professional image editing programs.

Just click on ‘greyscale’ or alternatively set the colour saturation to zero. Slightly more advanced, use the ‘channel mixer’ and tick the check-box called ‘monochrome’. But the most powerful way of converting your colour photo to black-and-white is a rarely documented method using a combination of ‘colour balance’ and ‘saturation’. Using this method is slightly more complicated, but ever so much more powerful. You have complete control over how your colours are transformed into black and white. Here’s how you do it:

1. First turn on the ‘layer box’ (Windows > Layers).

2. Click on the little ‘adjustment layers’ icon in the bottom and choose ‘colour balance’. Click OK when the dialog window opens.

3. Click ‘adjustment layers’ again, this time choosing ‘hue/saturation’. Immediately, set ‘saturation’ to zero and push OK.

Your image is now black-and-white, but here’s where it gets really neat:

4. Double-click on the adjustment layer you created in step 2, called ‘colour balance’.

You now have the possibility to adjust each of the 3 sliders to the left and right, thereby adjusting the way each of these colours are transformed into black and white! This has the same effect as using a colour filter in front of your lens and can make some colours stand out compared to others. Reddish skin-tones, the blue sky, the green grass and foliage, all these and more can selectively be lightened and darkened in the black-and-white rendition, giving you great control over contrast and texture in your photo -- much more powerful than the other greyscale-options that leave average red, green and blue colours with the same boring grey.

But wait, there’s even more: Notice the 3 small radio buttons in the bottom saying ‘shadows’, ‘midtones’ and ‘highlights’? By default the ‘midtones’ is selected, but selecting one of the other two allows you to only adjust the darkest or lightest tones respectively. A good use for this is when you wish to bring out some of the details hidden in the dark shadows of your image. Choose ‘shadows’ and make sure the ‘preserve luminosity’ check-box is NOT selected. Then crank up all 3 sliders by the same amount and voilá, your shadow details come to light!

5. When you’re done, select ‘layers > flatten Image’ on the main menu and save the result!

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The Bootmakers Cottage

My uncle Morty left Lauragh, in southern Ireland in 1936, at the age of 19, to experience life in London. Soon after arriving he wrote this poem then became seriously ill with suspected food poisoning spending many months in hospital. Whilst in hospital his brother, my Dad,(Michael) organised to collect his belongings from his temporary lodgings. Morty asked Dad had he seen the poem after his recovery but unfortunately the poem had vanished during the move. Dad then travelled to Australia and one day, found the long lost poem. On returning to Ireland in 1989, after being away for over 40 years he presented Morty with the poem who was delighted to have his cherished poem again! The painting 'The Bootmakers Cottage' was inspired by this poem and my visits to where these two men grew up and learnt their trade as cobblers.The small room to the right of the house is where the two men learn't their trade from their father.

'A Summer Survey of Lauragh'

'Sweet Lauragh glistening in the twilight morn, its' sparkling streams the rising sun adorns ;

Environed by the mountains everywhere, gave to the west, enchanting Kenmare's bay.

Its' mountain paths and fragrant woodland dales, clear lakes and rivers, where the anglers stray;

Wild thickets haunted by the buck and doe, unrivaled beauty everywhere we go.

No busy streets, the visitor finds there, but emerald fields and leafy winding lanes;

secluded glens and distant mountain caves, where eagles built their nests in bygone days.

Wild, narrow, rough, romantic shepherd's ripening golden gorse;

No sleek factitious art could ne'er augment the beauty lavished in those solar glens.



The cooling shades of fan-like trees - 'Deeren'. It's woodland paths, the nature lover's dream;

Wild rhododendrons aglow, amid the mass of blooming flowers along the sylvan paths.

Lush lawns of vivid green and shady bowers, reflected in the winding bay beneath;

And o'er the rustic arch of moorland bridge, the tangled wildwood and the golden fringe.



Meandering rivers gently gliding on, their grassy banks, the wild flowers trail along;

The pleasant scent of hay that is new-mown, and cattle sauntering o'er cream tinted loam.

How countless stalks do tremble, bend and sigh, when cooling zephrys now go whispering by;

And that sweet strain and symphony unchanged, is natures music "Breezes in the grain".



On yonder mountain, winding Healy's pass, with crimson-tinted summit "Croom Cnoc".

Bringing the smiling landscape nearer the eye, and Glenmore's lakes , serene, a rare delight.

The dim discovered peak of mountain 'rioch', with dazzling border in the shimmering heat;

Its' bosom robed in flowers and clustering palms, unfolds a picture of exquisite charm.

And no; at eve one suddenly beholds, those solemn glens profoundly alone;

For now the fast declining sun has gone, to lend enchantment to the vale beyond.

The glimmering landscape fading now from sight, and twilight shadows deepening into night;

When star filled sky and silvery moon unite, to brighten up that peaceful paradise. "
A poem by Morty O'Shea, 1936.

A poem by Morty O'Shea, 1936.

View Painting of the Bootmakers Cottage http://www.seanoshea.com.au

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With the new era of digital cameras, photography has become much more common. Almost anyone can afford a camera and most have one. Even many cell phones have a digital camera. While most new cameras are also quite easy to use, there are still many areas in photography where you need to have the knowledge to succeed.

These are some of the most common mistakes made by new digital photographers. If you are an unpracticed photographer, you should try to at least avoid these mistakes.

1. Poor Camera

This is by far the most common mistake these days. Many cheap digital models are only good for either landscape or closeup photographs due to their poor focus. Know your camera: what it can do and what are its limitations. A $200 model should never be used for professional photography.

2. Lighting

Another common mistake is to forget lighting or believe the camera takes care of it all. You will seldom get as good images in dark conditions with a cheap flash than you could in plentiful natural lighting.

3. Cropping

While it is much easier to see what gets in the photo with today's LCD displays than with an old-fashioned seeker, there are still plenty of mistakes you can make. One thing to remember is that you can crop the image on your computer. That means you will most likely want to include too much space around than too little.

4. Zooming

There are so make things that can go wrong with zooming. The number one thing to keep in mind is to always avoid using the digital zoom. It is a feature found in many cheap digital cameras that basically has the same result as cropping the image on your computer. If you need zoom, only use the optical zoom.

5. Camera Settings

If you are not sure about the settings in your camera, it may be best to use the defaults. If there are several modes, the 'auto' mode is usually the easiest to use. You should take care that you use a good format to save the images. Often the high detail mode with the highest resolution should be used, if you are not short on memory.

The bottom line is: if you are serious about photography, you must practice it. Digital photography does not differ much it that sense.

If you do not learn the skills in advance, you are going to have to learn them the hard way, and that will probably mean making these mistakes and more. It can also mean tens or hundreds of lost photos - shots that could have been excellent had you not made a simple mistake.

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the reason that I am writing this , is that I could take your attention to my idea , which is the beauty is  get you more meaning to your life
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Captured Moments by the Square Inch
by Diana Avergon

Ever think about the last time you were photographed with your mom, took that “playing ball” picture of your black lab or got a close up shot of your newly reconditioned chrome green 1967 VW Bug? Does a special photo come to mind for its beauty,its content or its emotional impact? Would you like to “live into” this special photo and experience it as something that you love? Try painting it... by the square inch.

Here’s how it goes. Select a photo of which you have fond memories. Lay a clear plastic sheet protector over it and make a grid using a ruler and a permanent marker. How many squares are on your grid? Are there 32 or 36 or 40? Whatever the number is, now you will grid a large (12 x 18 “ or larger) sheet of drawing paper, using a ruler and pencil. Make the same number of squares on your drawing paper as you did on your clear grid. Now you can copy, by the square inch, each little square of the photo, by painting it onto the bigger corresponding square on the gridded paper.

Tape your gridded drawing paper onto a hard surface--cardboard or a drawing board.
Mix or select pre-mixed acrylic paints and keep them covered to keep them moist.

It might be helpful to start with the upper left hand square, and the corresponding square on the grid paper. Paint, on the corresponding square on the paper. what you see in the little square covering your photo. Sometimes it is something recognizable, sometimes not. At times, you might want to paint two or more squares at a time. Whatever you do, try to get in touch with the essence of the captured moment in the photo This is going to slow you way down, get you to investigate each corner, sequence and nuance of the photo. You will come to know each square inch.

Plan to spend a month or more--try to work a little each day. Stand back. How do you feel about your painting, the photo,your experience? Did you capture the moment?

The above project is one of many which appear in Packet for Painters, What’s Your Style?, copyright 2007, NASCO. www.eNasco.com/artsandcrafts

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May 29, 2008 underscored the 60th anniversary of London taxi for its successful taxi manufacturing for six decades now. The celebration began yesterday at the Private Hire and Taxi exhibition, held at The Ricoh Arena, Coventry.

According to reports, the well-experienced company has obtained an enormous deal since 1948, since the time when the very-first London taxi has gone to the Coventry plant. Other LTI highlights during that time include the creation of the Frisbee and the launching of the World Health Organisation by the United Nations. After that period, the automotive firm has distinguished over 100,000 taxis roll off the production line which includes the FX, Fairway and TX series. The group had a good time in front of presentation guests alongside the media with the traditional cutting of a personally baked cake to commemorate the remarkable occasion.

These vehicles can be spotted operating on the streets of London at present, in several towns and cities in Britain, and some can be seen around the world. Today’s talk of the town model from LTI is the TX4 taxi which is the most recent version of the legendary vehicle. The TX4 along with its great auto parts, has received vast positive response from its rising customer list.

LTI Vehicles is generally acknowledged for developing one of the world’s most legendary vehicles. The company is dedicated to constantly develop on their taxis to provide drivers and passengers a taxi service with stunning car parts that is highly desirable for others.

“As we celebrate this important milestone we are able to celebrate the past and look forward to the future. From the launch of the FX3 back in 1948 to the present day, LTI Vehicles has seen many changes in the development of its purpose-built taxis to meet the needs of the professional taxi driver,” says John Russell, CEO, Manganese Bronze Holdings PLC, LTI Vehicles’ parent company.

“This is an important year in the history of LTI Vehicles. The agreement with Chinese auto manufacturer Geely is progressing nicely with the finishing touches being applied to the facility near Shanghai. The development of electric and hydrogen fuel cell vehicles also shows our commitment to improve our environmental credentials and gain a competitive advantage in an expanding global marketplace. All this makes for an exciting future both at home and abroad.”

“We look forward to continuing this success to ensure that the next 60 years are as successful as the company’s first,” he added.

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Gallery is defined as a building or a series of rooms devoted to the exhibition and often the sale of work of arts. Among the innumerable art: sculpture, photographs, illustrations, installation art and applied arts are exhibited in art gallery; and painting is commonly displayed medium. It is a way of promoting the unexhibited art and fresh artist. The art galleries let artists to display and promote their work in these venues with zeal.

Contemporary art is in vogue. The term contemporary art gallery refers to a commercial gallery intended for private-profit-motive. These galleries are usually spotted agglomerate in large urban areas. For instance: the Saatchi gallery of London is a well known hub of contemporary art world. Contemporary art gallery are also open to the general public without any cost where they can purchase art. Non-for-profit galleries and art-collective galleries are also to be found that directly create opportunities to put on show regularly. Moreover, the artist-run-centre gallery exists on government funds. Art gallery can also be interpreted as the springboard for launching careers for fresh and young artist.

Here is a short list of notable contemporary galleries:
• Mumbai: The Arts Trust – Institute Of Contemporary Indian Art
• London : Saatchi Gallery, Victoria Miro Gallery
• Los Angeles : Paragon Fine Art
• Madrid : Museo De Arte Contemporaneo
• Mexico city : Galleria OMR

Umpteen well-known art galleries exhibit art from all over the continents. Selected and matchless works of African art, American art, Indian art, European are preserved in the art galleries for the coming generations. To promote Art, many art galleries adopt the online mechanism letting people to view their work by sitting at home. Such innovative steps provide opportunities for art aficionados to purchase outstanding the works.

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Prehistoric men painted animals for many reasons. Is it so strange that present day Artists are serious about capturing animals in their artwork? Painting different species seems to be an inherited trait for some and Laura Barbosa is no exception.

What does this have to do with "Hearts of Therapy"? Everything… if we take the time to see what is going on right in front of our eyes we would notice that our beloved dogs are more than just primitive canines and capable guards. They are therapy dogs with a heart whom are doing great work in our local community and have been featured in 3 giant paintings which are gaining much popularity and raising awareness for a local community concerned with health and healing.

In 2007 Laura Barbosa had been previously published in an article written by Zach Patberg in the Asbury Park Press of Monmouth and Ocean Counties in NJ entitled: "Art Of The Dog"

Ms. Barbosa has been working on 3-24"high x 48"wide acrylic paintings on canvas featuring 12 life size working therapy dogs of various breeds that currently work in our local community hospitals, nursing homes, psychiatric facilities, schools and other locations in Ocean County NJ where emotional service dogs are indispensable.

"I hope to help the patients heal through my artworks! The dogs in this painting are well known in our local facilities and visit the very patients who will be viewing the originals and whom love the dogs dearly and count on them to boost their moral, help them heal and lower their blood pressure."

Laura’s idea was to present a local facility with these works of art in hopes of raising money for The Bright and Beautiful Therapy Dogs, Inc. The Community Medical Center in Toms River NJ was chosen by the Artist because they totally support the use of Therapy Dogs in their Hospice, Oncology, Pediatric and Out Patient Programs. As of February 28, 2008 The Community Medical Center purchased the three works of art. The permanent display will begin March 2008.

"The idea was to create Beautiful Uplifting Artworks for the hospital and to increase public awareness to help diminish the existing breed specific stereotypes. The original paintings are priced at $2500 each and donations will be sent to The Bright and Beautiful Therapy Dog organization to help keep these special canines in our facilities!."

In conclusion, most will be surprised to see what types of dogs are included in these paintings! The most scrutinized and misunderstood are among the breeds on display. These paintings are more than just beautiful artwork, they make an important statement and are meant to educate the public and try to eliminate stereotypical prejudices against certain breeds of dogs in our society.


The Art of Laura Barbosa Website

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Painting is an aesthetic representation of the imaginative mindset of a painter. This form of art exerted tremendous influence on the society since its inception several thousand years ago. Painters are like alchemists who can make formidable creations intermingling colors on a piece of canvas.

It is through painting artists of all ages portray the conditions of the mainstream society, the various ethos, culture and traditions. A work of painting can best reveal the good and evil of the everyday life and urge the common people to be good in thought and action so that the society becomes beautiful and beneficial to the mankind.

Originated as a creative pastime as cave depictions by our early ancestors, painting has undergone several alterations with time. The history of painting clearly indicates the various transformations of paintings from cave paintings to watercolor paintings and oil paintings.

The use of colors and shades are very important in painting. As a melodious music is not possible to originate without appropriate rhythm similarly a work of painting does not get life without perfect shades. Painting is a spontaneous manifestation of the true self of an artist; it speaks out his heart through the tinges of colors.

The Renaissance period (14th C to 17th C) is perhaps the golden period of arts and paintings in Europe. Renaissance classicism imparted a realistic touch to the paintings. The painters had good concepts on light, shadow and human anatomy and this made their art more appealing and communicative.

Luminaries like Leonardo Da Vinci, Michelangelo and Raphael stirred the world through their world-class paintings during this time. Da Vinci’s Monalisa is a painting unsurpassed down the ages.

With the establishment of various schools and movements of arts emerged the various theories on arts like abstract expressionism, art deco, constructivism, cubism, impressionism, modernism, neo-classicism, post modernism, romanticism and surrealism.

These gave birth to various painting forms like abstract paintings, figurative paintings, landscape paintings, collages, calligraphy and digital paintings. To an artist a painting is the enlivening of his soul on the canvas that transgresses all theories and echoes the great words of Keats – “Beauty Truth, Truth Beauty’.

For more information on painting browse other links of Ethnic Paintings

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The Saatchi gallery, opened by Charles Saatchi in 1985, is a London gallery for the exhibition of contemporary art. It is one of the best venues known for young and fresh artist to express or expose his/her work to the world. Works of local and international sculptors, painters, photographers and multimedia artists are displayed in this gallery. Saatchi gallery also introduced the open-access section, well-known as Your Gallery, where artists can upload arts and biographies onto their own page. On a given year over sixty million visitors around the globe access this venue using it as a medium of expression and acquiring knowledge. Furthermore, a tally reveals that there have been 1,000 school visits. Isn’t it jaw dropping? This gallery aims to encourage the art professionals and also holds valuable source of information for upcoming art fairs and exhibitions.

With its increasing popularity and people’s keenness towards art new moves have been adopted to notch up success in higher level. The gallery is presently refurbishing a 50,000-square-foot space to make it more spacious for art lovers. The architecture capacitates to enfold a bookstore, a coffee shop and also education purpose room for students inside the newly built building. Saatchi Gallery stands apart from conventional laws of art and based upon the principle of egalitarian approach which directly inspires the art connoisseurs. This London based gallery is open for every age and interest group and efforts are made to prop new and previously unexhibited artist and acts as a springboard for their careers.

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When it comes to framing and matting supplies, there are several different products you’ll need in order to do the job properly. A good framing job not only makes your artwork or photography look better, it also protects the artifact from becoming damaged or faded because of various environmental factors. As with almost anything else, it’s important to make an investment in the best framing and matting supplies you can afford.

Mount board is where it all starts; the quality of the mount board can make or break your framing project. This is what holds the artifact (the painting or the photograph rigidly in place. Acid free mount board is vital, particularly when it comes to archival quality works of art. The problem with some cheaper varieties of this material is that the acids can interact with other environmental pollutants and leech into your image, causing discoloring. This is one of your most basic and important framing and matting supplies, so make sure that you are using high-quality, acid-free mount board.

Mat board is another important consideration when putting together photo frames. This is used to provide a barrier between the artifact and the glazing, or clear covering. The problem is that if your picture or photo comes in actual physical contact with the glazing material, it can cause substantial harm, Mat board provides an air space that does two things: it prevents the buildup of damaging moisture inside the glass, and it allows room for the artifact to expand and contract as temperatures and room conditions fluctuate. Again, it is in your best interests to spend as much as you can to get the best archival-quality mat board that you can afford.

Anything that is true of traditional art framing goes double for photo framing supplies. Although paintings are delicate, the chemicals that are used to produce photographic images can interact with substances in the environment in all sorts of ways that can damage the image or cause it to fade. In investment in good quality photo framing supplies is an investment in the protection of your images.

The keys to effective artwork framing are (A) invest in the best framing and matting supplies you can find, and (B) know how to use and apply them correctly. No matter how wondrous the piece of art, improper framing can make it look cheap, tawdry and downright bad. Protect your valuable artwork by using only the best archival quality framing and matting supplies.

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